Results 1 to 10 of about 2,617 (185)
Tsvetaeva's tragedy Ariadne: Stage performance experience
The article examines Tsvetaeva's tragedy Ariadne and the difficulties of its stage performance. Analysis of the musical organization of the verse shows that the melodic-rhythmic structuring of direct speech creates the illusion of theatrical performance.
D. D. Kumukova
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Research and Practice in Thrombosis and Haemostasis, Volume 6, Issue S1, October 2022.
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United European Gastroenterology Journal, Volume 6, Issue S8, Page A748-A787, October 2018.
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UEG Week 2018 Poster Presentations [PDF]
United European Gastroenterology Journal, Volume 6, Issue S8, Page A135-A747, October 2018.
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The relationship between poetry and autobiographical writings cannot be univocally defined. However, in some cases the identification of a poetic cycle as a lyric diary can prove a fruitful approach to its understanding. J. Taubman’s study on Tsvetaeva’s
Alessandro Achilli
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The present paper discusses Marina Tsvetaeva’s essay about Maksimilian Voloshin The Living about the Living (1932) in the light of Tsvetaeva’s views on the legacy of the Silver Age in the early 1930s and her responses to the emergence of Socialist ...
Alexandra Smith
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Велимир Хлебников — ‘поэт с историей’ и ‘без истории’
The autobiographical writings by Velimir Khlebnikov are often regarded as less important than his poetry, because of their fragmentariness. On the contrary, they are not only a fundamental source on his life, but also a sort of manifesto on literature ...
Ilaria Aletto
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Overcoming Literary Conventions in the Works of M.I. Tsvetaeva and V.V. Rozanov [PDF]
The following article compares two approaches of M.I. Tsvetaeva and V.V. Rozanov to overcoming the conventional style of writing and the status of “writer” in the literary community. The writing of both authors can be defined as experimental and marginal
Denis A. Berezhnov
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Visando contribuir para as pesquisas sobre os suportes da poesia, este artigo dedica-se, em particular, ao estudo da vocoperformance, da voz em performance, a performance vocal.
Natália Barcelos Natalino
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«Юная бабушка – кто вы?...»: об одном генеалогическом коде в лирике ХХ века
The article considers some aspects of the poetic genealogy in women poetry of the 20th century. It is associated with the motif of a “young foreign grandma”.
Нина Осипова
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