Results 1 to 10 of about 190 (93)

Tsvetaeva's tragedy Ariadne: Stage performance experience

open access: yesШаги, 2022
The article examines Tsvetaeva's tragedy Ariadne and the difficulties of its stage performance. Analysis of the musical organi­zation of the verse shows that the melodic-rhythmic structuring of direct speech creates the illusion of theatrical performance.
D. D. Kumukova
doaj   +1 more source

К проблеме автобиографического прочтения поэтического текста: на материале рецепции творчества Марины Цветаевой и Василя Стуса

open access: yesAvtobiografija, 2014
The relationship between poetry and autobiographical writings cannot be univocally defined. However, in some cases the identification of a poetic cycle as a lyric diary can prove a fruitful approach to its understanding. J. Taubman’s study on Tsvetaeva’s
Alessandro Achilli
doaj   +1 more source

Мемуарная проза Марины Цветаевой как анти-памятник: очерк Живое о живом (1932 г.) в контексте мифотворческих тенденций российского и европейского модернизма 1910х-30х годов.

open access: yesAvtobiografija, 2012
The present paper discusses Marina Tsvetaeva’s essay about Maksimilian Voloshin The Living about the Living (1932) in the light of Tsvetaeva’s views on the legacy of the Silver Age in the early 1930s and her responses to the emergence of Socialist ...
Alexandra Smith
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Велимир Хлебников — ‘поэт с историей’ и ‘без истории’

open access: yesAvtobiografija, 2014
The autobiographical writings by Velimir Khlebnikov are often regarded as less important than his poetry, because of their fragmentariness. On the contrary, they are not only a fundamental source on his life, but also a sort of manifesto on literature ...
Ilaria Aletto
doaj   +1 more source

Overcoming Literary Conventions in the Works of M.I. Tsvetaeva and V.V. Rozanov [PDF]

open access: yesStudia Litterarum
The following article compares two approaches of M.I. Tsvetaeva and V.V. Rozanov to overcoming the conventional style of writing and the status of “writer” in the literary community. The writing of both authors can be defined as experimental and marginal
Denis A. Berezhnov
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De “Parangolé”, de Ana Martins Marques, a “Vestido com Vista pro Mar”: a vocoperformance de Juliana Perdigão

open access: yesAnuário de Literatura, 2020
Visando contribuir para as pesquisas sobre os suportes da poesia, este artigo dedica-se, em particular, ao estudo da vocoperformance, da voz em performance, a performance vocal.
Natália Barcelos Natalino
doaj   +1 more source

«Юная бабушка – кто вы?...»: об одном генеалогическом коде в лирике ХХ века

open access: yesPolilog: Studia Neofilologiczne, 2021
The article considers some aspects of the poetic genealogy in women poetry of the 20th century. It is associated with the motif of a “young foreign grandma”.
Нина Осипова
doaj   +1 more source

Time-eternity as the main concept of Marina Tsvetaeva’s style

open access: yesStudia Humanitatis, 2017
The article presents the analysis of the lyric poetry by M. Tsvetaeva. The presence of the concept ‘time-eternity’ in her work is a feature of the author's individual style. Marina Tsvetaeva has a unique ability, i.e.
Bezrukov Andrei Nikolayevich   +1 more
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Bohemia as the Homeland of the Soul in the Letters of Marina Tsvetaeva to Anna Teskova

open access: yesStudi Slavistici, 2014
The article examines the letters sent by Marina Tsvetaeva to the translator and public figure Anna Teskova, who was one of the few poet’s Czech intimate friends, whom she met during her stay in Czechoslovakia (1922-1925).
Massimo Tria
doaj   +1 more source

Lexico-semantic Analysis of V. Bryusov’s Image in M. Tsvetaeva’s Sketch “Labor Hero”

open access: yesИзвестия Южного федерального университета: Филологические науки, 2018
The center of M. Tsvetaeva’s attention is remarkable and complex personality of V. Bryusov, who evoked very contradictory feelings from admiration and immense respect to fierce hatred in many contemporaries.
Alexandra A. Kozakova
doaj   +1 more source

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