Results 1 to 10 of about 190 (93)
Tsvetaeva's tragedy Ariadne: Stage performance experience
The article examines Tsvetaeva's tragedy Ariadne and the difficulties of its stage performance. Analysis of the musical organization of the verse shows that the melodic-rhythmic structuring of direct speech creates the illusion of theatrical performance.
D. D. Kumukova
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The relationship between poetry and autobiographical writings cannot be univocally defined. However, in some cases the identification of a poetic cycle as a lyric diary can prove a fruitful approach to its understanding. J. Taubman’s study on Tsvetaeva’s
Alessandro Achilli
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The present paper discusses Marina Tsvetaeva’s essay about Maksimilian Voloshin The Living about the Living (1932) in the light of Tsvetaeva’s views on the legacy of the Silver Age in the early 1930s and her responses to the emergence of Socialist ...
Alexandra Smith
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Велимир Хлебников — ‘поэт с историей’ и ‘без истории’
The autobiographical writings by Velimir Khlebnikov are often regarded as less important than his poetry, because of their fragmentariness. On the contrary, they are not only a fundamental source on his life, but also a sort of manifesto on literature ...
Ilaria Aletto
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Overcoming Literary Conventions in the Works of M.I. Tsvetaeva and V.V. Rozanov [PDF]
The following article compares two approaches of M.I. Tsvetaeva and V.V. Rozanov to overcoming the conventional style of writing and the status of “writer” in the literary community. The writing of both authors can be defined as experimental and marginal
Denis A. Berezhnov
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Visando contribuir para as pesquisas sobre os suportes da poesia, este artigo dedica-se, em particular, ao estudo da vocoperformance, da voz em performance, a performance vocal.
Natália Barcelos Natalino
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«Юная бабушка – кто вы?...»: об одном генеалогическом коде в лирике ХХ века
The article considers some aspects of the poetic genealogy in women poetry of the 20th century. It is associated with the motif of a “young foreign grandma”.
Нина Осипова
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Time-eternity as the main concept of Marina Tsvetaeva’s style
The article presents the analysis of the lyric poetry by M. Tsvetaeva. The presence of the concept ‘time-eternity’ in her work is a feature of the author's individual style. Marina Tsvetaeva has a unique ability, i.e.
Bezrukov Andrei Nikolayevich +1 more
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Bohemia as the Homeland of the Soul in the Letters of Marina Tsvetaeva to Anna Teskova
The article examines the letters sent by Marina Tsvetaeva to the translator and public figure Anna Teskova, who was one of the few poet’s Czech intimate friends, whom she met during her stay in Czechoslovakia (1922-1925).
Massimo Tria
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Lexico-semantic Analysis of V. Bryusov’s Image in M. Tsvetaeva’s Sketch “Labor Hero”
The center of M. Tsvetaeva’s attention is remarkable and complex personality of V. Bryusov, who evoked very contradictory feelings from admiration and immense respect to fierce hatred in many contemporaries.
Alexandra A. Kozakova
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