Results 1 to 10 of about 1,210 (173)

Gender and Identification in Marina Tsvetaeva’s Poetry

Nordlit, 1998
The present paper is part of an on-going study of gender and identity in the poetry of Marina Tsvetaeva and Anna Swierszczynska.
Renata Ingbrandt
exaly   +6 more sources

Author Index [PDF]

Res Pract Thromb Haemost, 2022
Research and Practice in Thrombosis and Haemostasis, Volume 6, Issue S1, October 2022.
europepmc   +2 more sources

Author Index [PDF]

United European Gastroenterol J, 2018
United European Gastroenterology Journal, Volume 6, Issue S8, Page A748-A787, October 2018.
europepmc   +2 more sources

UEG Week 2018 Poster Presentations [PDF]

United European Gastroenterol J, 2018
United European Gastroenterology Journal, Volume 6, Issue S8, Page A135-A747, October 2018.
europepmc   +2 more sources

Materials Pertaining to the Life and Works of Mikhail Gorlin From the Archive of the Institut D’Études Slaves. Part 3 (No 7: ‘Only Shadows’: Encounters With Marina Tsvetaeva).

Literatura
The publication features some of the heretofore unknown materials on the history of Russian literature in exile from the archive of the Institut d’études slaves (Paris). The materials were drawn from Mikhail Gorlin’s (1909–1942) personal archive.
Fedor Poljakov
exaly   +3 more sources

Monograph Review: Kikhney, L.G., & Kruglova, T.S. (2023). “the Poet Is the Answer...”: Lyrical Addresses in the Works of Marina Tsvetaeva. 2nd Ed., Ex. And Add. Moscow, MAKS Press, 232 p. (in Russ.)

Neophilology
The monograph by L.G. Kikhney and T.S. Kruglova, which examines a number of theoretical, historical and literary problems related to lyrical addresses in the poetry of M.I. Tsvetaeva, is reviewed.
Marina Anatolievna Dubova
exaly   +3 more sources

Tsvetaeva's tragedy Ariadne: Stage performance experience

Шаги, 2022
The article examines Tsvetaeva's tragedy Ariadne and the difficulties of its stage performance. Analysis of the musical organi­zation of the verse shows that the melodic-rhythmic structuring of direct speech creates the illusion of theatrical performance.
D. D. Kumukova
doaj   +1 more source

Модернистский экфрасис в эссе Марины Цветаевой „Наталья Гончарова. Жизнь и творчество”

Studia Interkulturowe Europy Środkowo-Wschodniej, 2021
This article examines Marina Tsvetaeva’s modernist perception of the personality and paintings of the greatest representative of the Russian avant-garde of the 20th century in the essay “Natalia Goncharova. Life and Work” (“Наталья Гончарова.
0000-0002-7450-5373
doaj   +1 more source

К проблеме автобиографического прочтения поэтического текста: на материале рецепции творчества Марины Цветаевой и Василя Стуса

Avtobiografija, 2014
The relationship between poetry and autobiographical writings cannot be univocally defined. However, in some cases the identification of a poetic cycle as a lyric diary can prove a fruitful approach to its understanding. J. Taubman’s study on Tsvetaeva’s
Alessandro Achilli
doaj   +1 more source

Велимир Хлебников — ‘поэт с историей’ и ‘без истории’

Avtobiografija, 2014
The autobiographical writings by Velimir Khlebnikov are often regarded as less important than his poetry, because of their fragmentariness. On the contrary, they are not only a fundamental source on his life, but also a sort of manifesto on literature ...
Ilaria Aletto
doaj   +1 more source