Results 121 to 130 of about 1,210 (173)
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Tsvetaeva's Novogodnee

Explicator, 1988
Leona Toker
exaly   +2 more sources

When Spring Is Not a Spring: Revisiting Feinstein's Tsvetaeva

open access: yesTranslation and Literature, 2017
Elaine Feinstein's translations of Tsvetaeva have acquired a near-classic status. Paul Muldoon pointed out, however, that in one case a stanza from one of the originals was omitted without explanation, and close examination of other examples reveals ...
Christopher Whyte
exaly   +2 more sources

Marina Tsvetaeva’s dowry

Voprosy literatury, 2020
S. Lyutova and I. Dronova have put together a comprehensive description of the history and topography of the house in Ttryokhprudny Lane: known from M. Tsvetaeva’s early poems, it was her and S. Efron’s only real estate property. By introducing archived materials into the context of published literary sources that mention ‘Tsvetaeva’s house’ in ...
S. N. Lyutova, I. I. Dronova
openaire   +1 more source

Tsvetaeva reads Tolstoy. Leo Tolstoy in Marina Tsvetaeva’s reading and creative consciousness

Voprosy literatury, 2020
The article discusses Tsvetaeva’s reception of L. Tolstoy’s prose, as detailed in her letters and diaries as well as literary works ( The Tale of Sonechka [ Povest o Sonechke ] etc.). According to the author, Tsvetaeva’s attitude to Tolstoy’s characters was extremely personal and highly emotionally charged (which often interfered with her ability to ...
openaire   +1 more source

Marina Tsvetaeva's Book

Soviet Studies in Literature, 1967
A volume in the series The Poet's Library [Biblioteka poeta], which appeared late last year, was devoted to Marina Tsvetaeva. It contains an important segment of the poetry she left us. Her daughter, Ariadna Sergeevna Efron, was an active participant in putting the book together and writing the commentaries.
openaire   +1 more source

Tsvetaeva's Onomastic Verse

Slavic Review, 1986
In her artistic philosophy Marina Tsvetaeva insists on the precedence of the word over what it stands for. “Slovo ved' bol'she veshch', chem veshch': ono samo veshch', kotoraia tol'ko znak.” The signifier comes first and the signified trails after it, for the acoustic properties of the word expand its capability beyond mere denotation to poetic ...
openaire   +1 more source

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