Results 11 to 20 of about 617,087 (273)
Representation of Teachers in Turkish Cinema Between 1940 and 1980
The film of the destruction of the Russian monument in 1914 is not only the history of Turkish cinema, but also of a country. The aim of this study is to reveal the representation of teachers in Turkish cinema, which is one of the professions that shape
Murat Cem Acaralp +2 more
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Being Queer in Turkish Cinema: Existence, Appearance, and Representation
Queer representations in cinema are both influenced by and reflective of local or global cultures. In the context of Turkish cinema, patriarchal Turkish culture often negatively impacts the portrayal of queer identities. These portrayals tend to reflect
Övünç Ege
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Breaking the Power Dynamics Behind the Scenes of Turkish Cinema: A Head-count Research
In this research, gender representation and equity in the Turkish cinema industry are investigated through a comprehensive analysis of the top 99 films based on ticket sales, utilizing data from Box Office Turkey.
Tugay Sarıkaya, Aybike Serttaş
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The Democrat Party era (1950-1960) sparked radical changes in Turkey. The economic practices of the party administration during the country's administration, as well as some of the negativities it created in the political and social field, have long ...
Betül Sarı Aksakal
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Seeking the Political Function of Time-Image in New Turkish Cinema from a Deleuzian Perspective
In the study, minor-being is discussed together with Deleuze's cinema approach and the concepts he produced in philosophy. In this context, the film A Tale of Three Sisters, which allows a wide contextual analysis and focuses on micropolitics, has been ...
Azime Cantaş
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Minik Serçe as a Contrary Example Among the Singer Films in Turkish Cinema
This article is about the Turkish film Minik Serçe (Little Sparrow, 1978), starring Sezen Aksu, one of Turkey’s most legendary female singer-songwriters.
Yasemin Barlan
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The question of the study is, what the kind of impactss of the EU’s audiovisual strategy and its corresponding policies —rooted in the principle of unity in diversity—on the European and Turkish cinema there are.
Çağrı Kara +2 more
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Ideological Representation in Turkish Cinema and Turkish Cinema During the AK Party Era
Cinema has long been recognized by governments for its societal influence, and Turkey is no exception. During the early years of the Republic, while all fine arts flourished under state protection, cinema did not receive the same level of support. However, Turkish cinema evolved in line with the Republic's official ideology, emphasizing values such as ...
Selami İnce
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Slowness and Diverging Aesthetics: Nuri Bilge Ceylan and Zeki Demirkubuz in New Turkish Cinema
New Turkish Cinema embraces minimalist audio-visual elements, with long takes, contemplative narratives, and a mediated film experience that invites slow engagement and introspection. Through a focused comparison of Nuri Bilge Ceylan and Zeki Demirkubuz,
Zühre Canay Güven
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Societies that must continue to exist must keep their sexual and social relations alive. In this context, societies need to reconcile themselves with the biological facts of gender.
Yelda Özkoçak
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