Results 21 to 30 of about 617,087 (273)
In Turkish society, as in all patriarchal communities dominated by an honor culture, the concept of honor, while holding different implications for men and women, is largely reduced to the strict control of women’s bodies. This article examines examples
Hakan Ün
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This article investigates how Turkish cinema transformed under neoliberal restructuring following the 1980 military coup, proposing “Neoliberal Realism” as a new conceptual framework to describe the cinematic narratives of the 1980s. While Turkish cinema
Serhat Yetimova +2 more
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Ethical Experience and Narrative Ambiguity in Contemporary Turkish Cinema: Hesitation Line
The aim of this study is to examine how ethical hesitation is produced in modern Turkish cinema through cinematographic and narrative strategies and to discuss the meaning of cinematic ethical experience within the framework of film philosophy. Based on
Aysu Uğur Balcı
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From Cinema to Sufism: The Artistic and Mystical Life of Turkish Screenwriter Ayşe Şasa (1941–2014)
This article examines the contributions of Turkish screenwriter Ayşe Şasa (1941–2014) to Turkish cinema and visual culture through her engagement with Sufism and metaphysical themes.
Büşra Çakmaktaş
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Identity and Success in Turkish Cinema [PDF]
In 1989 the number of cinema movie viewers in Turkey started to be measured. The figures show a significant increase in attendance and earnings on the last twenty years. Based on these data it is possible to state that since the 2000s the Turkish film industry has become a mass phenomenon and a very profitable business ...
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From Past To Present A Cognitive Work On “New Turkish Cinema”
In recent years, “new” concept has become very consumable especially within the context of politics in our country. Generally, after certain periods in Turkey, “new”, representative of political changes and emphasizing reconstruction process, has been a ...
Arif Can Güngör
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This study problematizes New Turkish Cinema through the concept of “value” and takes Zeki Demirkubuz and Reha Erdem from the universe of independent directors as an example.
Cenk Ateş
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Nietzschean Gift Model as an Alternative to Potlatch Culture in Turkish Cinema: The Movie Kosmos
Potlatch defines the ceremonies where pre-market economy societies come together for celebration and exchange gifts. This universal culture based on giving-accepting and giving back more than enough, aims to destroy the surplus value and spend to the ...
Cenk Ateş
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This issue of CINEJ focuses on issues ranging from Malian Cinema, Islam in Turkish cinema, Bergman, Mulholland Drive and sound in early Hollywood cinema.
Murat Akser
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Muhsin Ertuğrul: Türk Sinemasının Kurucusu mu Yoksa Günah Keçisi mi? / Muhsin Ertuğrul: The Founder or the Scapegoat of Turkish Cinema? [PDF]
Muhsin Ertuğrul (1892-1979), Cumhuriyet’in ilk yıllarında çektiği filmlerle Türk sinemasının genetik kodlarını oluşturmuştur. Ertuğrul hakkındaki literatürde daha çok Nijat Özön’ün yazdıkları egemendir.
Seçkin SEVİM
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