Identity and Success in Turkish Cinema [PDF]
Journal of Turkish Studies, 2021 In 1989 the number of cinema movie viewers in Turkey started to be measured. The figures show a significant increase in attendance and earnings on the last twenty years. Based on these data it is possible to state that since the 2000s the Turkish film industry has become a mass phenomenon and a very profitable business ...
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Seeking the Political Function of Time-Image in New Turkish Cinema from a Deleuzian Perspective
CINEJ Cinema Journal, 2023 In the study, minor-being is discussed together with Deleuze's cinema approach and the concepts he produced in philosophy. In this context, the film A Tale of Three Sisters, which allows a wide contextual analysis and focuses on micropolitics, has been ...
Azime Cantaş
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Kurdish Cinema as a Transnational Discourse Genre: Cinematic Visibility, Cultural Resilience, and Political Agency [PDF]
, 2014 Within the last few years, "Kurdish cinema" has emerged as a unique discursive subject in Turkey. Subsequent to and in line with efforts to unify Kurdish cultural production in diaspora, Kurdish intellectuals have endeavored to define and frame the ...
Kocer, Suncem
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CINEJ Cinema Journal, 2017 This issue of CINEJ focuses on a variety of topics: Animated documentary, political cinema, female sexuality, religion, mythology and culture, orientalism, globalization and action movies, Halit Refiğ and Turkish cinema.
Bengisu Bayrak
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Philosophy of ‘Truth Ethics’: Love/Friendship through Kurosawa Films and Badiou’s Philosophy
PhilosophiesAlain Badiou in his philosophy on ethics underscores four fields of truth procedures—love, politics, art, and science—that seek to break with the existing order or conventional flow of things.
Serdar Öztürk, Waseem Ahad
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Film screenings in the “Polish territories” in 1896 and their international context [PDF]
, 2015 This book was financially supported by the National Programme for the Development of Humanities: project “Cinema: Intercultural Perspective. Western-European Cinema in Poland, Polish Cinema in Western Europe. Mutual Perception of Film Cultures (1918–1939)
Dębski, Andrzej
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Retrospective analysis of plagiaristic practices within a cinematic industry in india – a tip in the ocean of icebergs [PDF]
, 2020 Music plagiarism is defined as using tune, or melody that would closely imitate with another author’s music without proper attributions. It may occur either by stealing a musical idea (a melody or motif) or sampling (a portion of one sound, or tune is ...
Paneerselvam, Umamaheswaran +2 more
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Cinema of Thought: A Dialectic of Body and Brain in Turkish Art Cinema
PhilosophiesCan films contribute to the production of thought? Or, to put the question more radically, can films generate thought on their own, or can there be films that think the unthought? When thought is equated with rationality, logic, concepts, generalizations,
Serdar Öztürk, Waseem Ahad
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Horror and Memory: Traces of Collective Memory in Turkish Horror Cinema
4. Boyut Medya ve Kültürel Çalışmalar DergisiThe deep narrative universe of Turkish horror cinema that reflects collective memory, Islamic and Turkish mythology, spatial reminders and traumatic memories combine to offer individuals a story that is both familiar and uncanny. In addition to examining
Çağla Coşar
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Being Queer in Turkish Cinema: Existence, Appearance, and Representation
CINEJ Cinema JournalQueer representations in cinema are both influenced by and reflective of local or global cultures. In the context of Turkish cinema, patriarchal Turkish culture often negatively impacts the portrayal of queer identities. These portrayals tend to reflect
Övünç Ege
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