Results 21 to 30 of about 1,019,014 (282)

Automatic Transcription Of Turkish Makam Music. [PDF]

open access: yes, 2013
This work is partly supported by the European/nResearch Council under the European Union’s Seventh/nFramework Program, as part of the CompMusic project/n(ERC grant agreement 267583).
Benetos, Emmanouil, Holzapfel, André
openaire   +4 more sources

Comparative Analysis of the III. Movement of Cemal Reşit Rey’s Work “the Legend of Bebek” with Turkish Folk Song “Bebek Ninni” / Cemal Reşit Rey’in “Bebek Efsanesi” Eserinin III. Bölümünün “Bebek Ninni” Türküsü ile Karşılaştırmalı Analizi [PDF]

open access: yesFolklor/Edebiyat, 2019
Cemal Reşit Rey, one of the first-generation composers of Turkey, started his career as a music teacher in Turkey after getting his training in one of Europe’s important music centers.
Önder Özkoç
doaj   +1 more source

The Positivist Construction of Yekta, Ezgi and Arel Theories in Turkish Music: A Brief but Critical History

open access: yesEurasian Journal of Music and Dance, 2020
Gunumuzde Turk muzigi teorisi olarak taninan teori, aslinda, Şark/Osmanli muzigine ilmi, asri ve medeni bir teori kazandirmak maksadiyla baslatilan bir surecin urunudur.
O. Öztürk
semanticscholar   +1 more source

Türk Müziği Güftelerinde Kadının Temsiliyeti: Münir Nurettin Selçuk’un Besteleri Üzerine Bir İnceleme

open access: yesYüzüncü Yıl Üniversitesi Sosyal Bilimler Enstitüsü Dergisi, 2021
Türkiye’de müzikoloji disiplini kapsamında toplumsal cinsiyet konulu çalışmaların artışı ile kadın müzisyenler üzerine yapılan çalışmaların varlığı daha çok dikkat çekmektedir.
Ahmet Selçuk Bayburtlu   +2 more
doaj   +1 more source

Varied Musical Experiences and Openness of University Students in Turkey and the United States

open access: yesSAGE Open, 2022
The personality trait of openness has been shown to contribute to a person’s ability to function effectively. Additionally, scholars have suggested that openness to experience and foreign language experience were related to music preference.
Mustafa Hilmi Bulut   +7 more
doaj   +1 more source

METAFOR YÖNTEMİYLE ÇALIŞILMIŞ MÜZİK MAKALELERİNDEKİ GENEL EĞİLİM

open access: yesOnline Journal of Music Sciences, 2023
There are currently 35 Turkish articles about music, which are on research done with the metaphor method. Obtaining data with metaphor, although it is commonly used in other disciplines, in the field of music has been quite late.
Ayşenur ÜSTÜN, Serpil UMUZDAŞ
doaj   +1 more source

Students' and Instructors' Opinions on the Implementation of Flipped Learning Model for Cello Education in Turkish Music

open access: yesJournal of Education and Training Studies, 2018
Flipped learning is based on more effective use of the time spent with the instructor in the classroom. This study is aimed at identifying students’ and instructors’ opinions on the use of flipped learning model in cello education in Turkish music.
Burcu Avcı Akbel
semanticscholar   +1 more source

Investigation of Aggression and Emotional Intelligence Characteristics of the Students from Faculty of Sport Sciences and State Conservatory of Turkish Music

open access: yesInternational Education Studies, 2019
This study was performed to investigate the characteristics of emotional intelligence and aggression between the students from Ege University Faculty of Sport Sciences and the students from the State Conservatory of Turkish Music.
Ibrahim Dalbudak, Serkan Çelik
semanticscholar   +1 more source

Classical Turkish Music Composition with LSTM Self-Attention

open access: yesJournal of innovative science and engineering
Synthetic symbolic music generation, the process of creating new musical pieces using symbolic representations, has gained significant traction in the field of music informatics and computational creativity.
Ahmet Kaşif, Selçuk Sevgen
semanticscholar   +1 more source

Saygun’s Perspective on Tradition and the Anatolian Melodies Used in the Opera Kerem

open access: yesKonservatoryum, 2023
This article examines the opera Kerem (Op. 28) composed by Ahmed Adnan Saygun (1907-1991) in terms of traditionalism due to how it involves elements of Anatolian traditions. The libretto of the opera was written by Selâhattin Batu (1905-1973).
Yılmaz Koç
doaj   +1 more source

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