Results 11 to 20 of about 49,483 (262)
Connected to TV series: Quantifying series watching engagement. [PDF]
J Behav Addict, 2017 Background and aims Television series watching stepped into a new golden age with the appearance of online series. Being highly involved in series could potentially lead to negative outcomes, but the distinction between highly engaged and problematic viewers should be distinguished.
Tóth-Király I +4 more
europepmc +6 more sources
Homeland : un antidote à la guerre contre le terrorisme ?
TV Series, 2016 This article investigates the way TV series Homeland represents and remedies the War on Terror. Because of the culture of fear that was developed by the Bush administration after 9/11, many Americans have suffered from visual and perceptive disorders. In
Alexis Pichard
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La série catalane Ventdelplà, entre réalisme et utopie
TV Series, 2012 The series Ventdelplà (TV3, 2005–2010) bears the name of the imaginary village in which the majority of the action takes place: Teresa, the protagonist, flees Barcelona and her abusive husband to take refuge in the home of her ancestors in the heart of ...
Jennifer Houdiard
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La fin de Lost, le paradoxe des séries et l’expérience de la perte
TV Series, 2016 That the viewers of the Lost TV series were so disappointed by its last episode has something to do with the philosophical problem of narrative closure.
Hugo Clémot
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TV Series, 2019 This article aims at reworking the notion of « interwoven storytelling » (Breda, 2015) by developing new theoretical propositions to analyze complex TV series.
Hélène Breda
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24 heures chrono : enfermement spatio-temporel, nœud d’intrigues, piège idéologique ?
TV Series, 2016 24 (Fox, 2001-2010) was no doubt the War on Terror series of the George W. Bush presidency. Its groundbreaking aesthetic and narratological aspects – the 24-hour “real time” unfolding of events and its use of the split-screen – also function as a mise en
Monica Michlin
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AM Journal of Art and Media Studies, 2018 The paper deals with the new phenomenon related to the complexity of TV series production after 2000, recently theorized by many authors. The common denominator for most of them is the blurring of boundaries between film and TV. How can we explain the complexity of recent TV production?
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Game of Thrones: Quality Television and the Cultural Logic of Gentrification
TV Series, 2014 The success of the television adaptation of Game of Thrones marks a crucial transitional moment in the relationship between cult audiences and the global élite associated with ‘quality television’.
Dan Hassler-Forest
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Through The Wire: The Avon Barksdale Story
TV Series, 2013 Released exclusively on DVD in 2010, The Avon Barksdale Story is the first and only instalment so far of a series of docudramas called Baltimore Chronicles: Legends of the Unwired.
Sébastien Lefait
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Livre et pouvoir des mots dans les séries de science-fiction
TV Series, 2017 This paper deals with the representation of books in serialized sci-fi TV series with an ongoing plot constructed in a teleologic fashion. It explores issues of narrative unity and self-reflexive writing introduced by the books appearing in Battlestar ...
Florent Favard
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