Results 21 to 30 of about 4,806,266 (194)
Lire l’avenir, changer le passé : Rêves et foi en la fiction dans la série Lost
This article presents a study of religious and spiritual visions in the TV series Lost as inter- and intra-textual fabric, and as signs to be decoded by the characters and by the audience in a deep reflection on the relations between fiction, the “real”,
Sarah Hatchuel
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Contre les personnages, tout contre : Seinfeld ou le trouble éthique
The sitcom Seinfeld (NBC, 1989-1998), created by Larry David and Jerry Seinfeld, presents a series of ethical problems in a complex and entertaining way through its narrative and its aesthetic characteristics.
Guillaume Gomot
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Tom Perrotta’s The Leftovers in Textual Seriality: Trauma, Resilience... Resolution?
This article examines the narrative strategies used in the television series adaptation of The Leftovers (HBO, 2014-2017), originally a post-apocalyptic novel that revisits the literature of the rapture.
Charles Joseph, Delphine Letort
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La série semi-feuilletonnante et son système de personnages : espace de violence et espace d’accueil
In an essay entitled “Analysing Semi-Serialized Television Fictions: The Ethical Stakes of Narrative Structures”, published in SERIES in 2020, we demonstrated that semi-serial shows thematize their own narrative negotiations (between their episodic and ...
Sarah Hatchuel, Claire Cornillon
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This article explores new forms of serial structure found in transmedia story worlds, with particular attention to the innovations of amateur transmedia works.
Anne Kustritz
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Échos et remake dans les séries télévisées des années 1960 à nos jours
Since the 1960s, British and American TV series offer their reader-spectators scenarios that rely upon the play of echoes and intertextual or intratextual references.
Jean Du Verger
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Les instabilités quantiques de la masculinité blanche dans Code Quantum
This article examines Quantum Leap (NBC, 1989-1993) from a cultural perspective, focusing on its representations of gender and race identities and relations.
Jules Sandeau
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La femme invisible : les cas de Laura Palmer et Diane Evans
The opening sequence of Twin Peaks lays the foundations for the representational systems of male and female bodies in the first two seasons of the series: still, fragmented bodies and fixed, high-angle shots for women; whole bodies in movement and ...
Louise Van Brabant
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I, Claudius (1976) vs Rome (2005), or Ancient Rome revisited by television
On top of its arguably philosophical and/or pedagogical intentions, the representation of Antiquity in literature and film has always conveyed much about the ideology of the periods in which it was written or filmed.
Isabelle Roblin
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This article analyses the « asymetrical realism » of US medical TV series, understood as a choice of focalization combining the hypervisibility of medical expertise and the invisibilisation of inequalities in access to medical care.
Elisabeth Fauquert
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