Results 41 to 50 of about 8,656 (304)
Journal of Business Administration Researches, 2022 An appropriate and well-designed logotype is essential to create brand awareness and positive brand perception. The effect of different typefaces has not been well researched in the luxury fashion sector.
Wang Zheng, M. Shanat, L. R. Kanyan
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Designing A Typeface by Adapting Are'Lancor : Madura Cultural Identity in Latin Letters
ULTIMART Jurnal Komunikasi Visual, 2022 Arè' lancor, a type of sickle, is a traditional weapon and has become a Madurese cultural identity, especially in Pamekasan regency, Indonesia. Its important status in local history, folklore, and tradition, does not seem to be supported by the community
Naufan Noordyanto +2 more
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ORNAMEN KAPAL LAMPUNG TYPEFACE
Gorga Jurnal Seni Rupa, 2022 Sumatra's cultural heritage is very diverse and unique, one of the oldest cultures is the Lampung culture. The traditional Lampung tribe is not only famous for its decorative ornaments, but the kain tapis which is very distinctive in terms of art.
Rohiman Rohiman +2 more
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Science Museum Group Journal, 2019 This paper offers a rationale for the typefaces chosen for the publication Technologies of Romance: Part II written by Paul O’Kane and celebrated at a symposium held at the Science Museum in November 2018. In setting out this rationale the paper broadens
Catherine Dixon
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MEMBANGUN IDENTITAS BANDAR LAMPUNG DENGAN MERANCANG TYPEFACE AKSARA LAMPUNG
Kreatif : Jurnal Karya Tulis, Rupa, Eksperimental dan Inovatif, 2022 Lampung adalah sebuah provinsi yang terletak di bagian paling selatan pulau Sumatra Indonesia. Aksara Lampung merupakan simbol visual yang berguna untuk mengungkapkan ekspresi dalam Bahasa Lampung.
Fajar Ahmad Faizal +2 more
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Vernacular Typography Design of Bamboo Keben Craft as an Opportunity of Creating Digital Typeface
Harmonia: Journal of Arts Research and Education, 2022 Keben for the Balinese is a medium that functions to package ceremonial facilities made of bamboo. Craftsmen in Kayubihi village, Bangli sub-district produce kebens with various designs of vernacular typography motifs that have the opportunity to be ...
Ni Luh Desi In Diana Sari +2 more
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PERANCANGAN TYPEFACE SEBAGAI IDENTITAS VISUAL DIENG CULTURE FESTIVAL 2024
ANDHARUPA: Jurnal Desain Komunikasi Visual & MultimediaDieng Culture Festival (DCF) merupakan festival budaya tahunan yang diselenggarakan di desa Dieng Kulon, Batur, Banjarnegara. DCF memiliki konsep Community Based Tourism (CBT) yang dikelola langsung oleh warga setempat melalui Kelompok Sadar Wisata ...
Aprian Dwi Nur Sembada, Esty Wulandari
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Consumers’ preferences for visual elements on chocolate packaging
Journal of Graphic Engineering and Design, 2019 Many recent researches focused on packaging elements as two separate groups: visual and informative elements. This study goes deeper into the group of visual elements on food packaging (i.e.
Antonija Kovač +3 more
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Frontiers in Psychology, 2023 IntroductionThe amount of educational material delivered to pupils and students through digital screens is increasing. This method of delivering educational materials has become even more prevalent during the COVID-19 pandemic.
Tanja Medved +2 more
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Heliyon, 2023 With increasing public health awareness and the unprecedented global health crisis, consumers' demand for in vitro diagnostic (IVD) reagents is gradually increasing.
Wen Yuan +4 more
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