Results 41 to 50 of about 8,362 (314)

Design and application of a medical protective face screen (一种医用防护面屏的设计与应用)

open access: yes中西医结合护理, 2023
This paper introduced the design and application of a medical protective face screen. The new typeface screen is designed to reduce the risk of exposure to infection and improve the wearing comfort. This new typeface screen helps keep the outdoor medical
LI Die (李蝶)   +2 more
doaj   +1 more source

caligrafiasnoum, typeface

open access: yesMETAgraphias, 2016
ESCRITA, MEMÔRIA E IMAGINAÇÃO, PRÁTICA TIPOGRÁFICA/VISUAL COMO ESTRATÉGIA METODOLÓGICA DE CRIAÇÃO DE NOVOS SIGNOS, ESPECIFICAMENTE SOBRE A SINTAXE DA ESCRITA URBANA ATUALIZADA E RECODIFICADA A PARTIR DA PRÁTICA DO GRAFFITI PELO SEU AUTOR, PAULO ROBERTO COSTA CRUZ JUNIOR, AKA ASNOUM.   
Cruz Junior, Paulo Roberto Costa   +1 more
openaire   +4 more sources

The taste of typefaces in different countries and languages. [PDF]

open access: yesPsychology of Aesthetics, Creativity, and the Arts, 2018
People associate tastes and taste words (e.g., “bitter,” “sweet,” etc.) with shape features in predictable ways. In the present study, we evaluate how the curvature and boldness of typeface influences the gustatory taste (i.e., bitter, salty, sour, and sweet) associated with the typefaces of words written in 3 languages (Spanish, English, and Chinese).
Carlos Velasco   +6 more
openaire   +4 more sources

Technologies of Romance: on the choice of a typeface for a book and the possibilities for technological Romance

open access: yesScience Museum Group Journal, 2019
This paper offers a rationale for the typefaces chosen for the publication Technologies of Romance: Part II written by Paul O’Kane and celebrated at a symposium held at the Science Museum in November 2018. In setting out this rationale the paper broadens
Catherine Dixon
doaj   +1 more source

Signage Form and Character

open access: yesInterdisciplinary Journal of Signage and Wayfinding, 2020
Signs contribute significantly to the visual identity of neighborhoods, often representing the interplay of the collective social, political, cultural and economic values of the people who live and work there.
Muhammad Nafisur Rahman, Vikas Mehta
doaj   +1 more source

Detecting universal structure and effects of typefaces

open access: yesTehnički Vjesnik, 2017
This study investigates the effects of universal and specific characteristics of typefaces with combined method—through comparison of the results of digital analysis and subjects’ responses to binary images stimuli. Results point to the dependency of the
Uroš Nedeljković   +2 more
doaj   +1 more source

PERANCANGAN TYPEFACE SEBAGAI IDENTITAS VISUAL DIENG CULTURE FESTIVAL 2024

open access: yesANDHARUPA: Jurnal Desain Komunikasi Visual & Multimedia
Dieng Culture Festival (DCF) merupakan festival budaya tahunan yang diselenggarakan di desa Dieng Kulon, Batur, Banjarnegara. DCF memiliki konsep Community Based Tourism (CBT) yang dikelola langsung oleh warga setempat melalui Kelompok Sadar Wisata ...
Aprian Dwi Nur Sembada, Esty Wulandari
doaj   +1 more source

Does the typeface on album cover influence expectations and perception of music?

open access: yesPsychology of Aesthetics, Creativity, and the Arts, 2020
CD and digital album covers are part of the music purchase/consumption experience, yet very little is known about how album cover design influences people’s expectations concerning, and their perception of, music.
Tara Venkatesan, Q. Wang, C. Spence
semanticscholar   +1 more source

Consumers’ preferences for visual elements on chocolate packaging

open access: yesJournal of Graphic Engineering and Design, 2019
Many recent researches focused on packaging elements as two separate groups: visual and informative elements. This study goes deeper into the group of visual elements on food packaging (i.e.
Antonija Kovač   +3 more
doaj   +1 more source

You read best what you read most: An eye tracking study

open access: yesJournal of Eye Movement Research, 2020
At the threshold of the digital era, Zuzana Licko was of the opinion that familiar letterforms owe legibility to centuries-long exposure and that all new, prototypically unmatching forms would be equally legible if used as frequently. This paper examined
Uroš Nedeljković   +2 more
doaj   +1 more source

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