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When is typography conceptual? [PDF]
Abstract Steen Ejler's contribution to the conference Conceptual Type – Type led by ideas, Copenhagen, 19. November 2010. Where are the idealistic fonts, the artsy fonts, the non fonts, the political fonts, the funny fonts, the difficult fonts, the fonts that do not look like fonts, fonts that are frontiers of new belief?
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Although most discussions treat the Indus seals as inscriptions, they are not dissimilar to printing presses and their inscriptions can be characterized as typefaces. They have a degree of standardization and sophistication that makes them comparable to modern fonts. While designing the Ida font for the Indus script, I had the opportunity to study this
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The Economy Of Typography (the arrangement or mode of operation of typography)
The thesis will show that the current research into legibility and readability regarding certain aspects or characters of type is incomplete, and will demonstrate what further research is necessary to complete the analysis of these aspects or characters in the economy of typography in continuous text. Chapter 1 will show that the development of reading
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Published as part of Xiao, Hui, Sun, Lei, Jiao, Tianyang & Li, Zi, 2016, A revision of Chinese species of Mesopolobus Westwood (Hymenoptera: Pteromalidae) with descriptions of four new species from China, pp. 64-81 in Zoological Systematics 41 (1) on page 78, DOI: 10.11865/zs.201604, http://zenodo.org/record ...
Xiao, Hui+3 more
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Principles of Metallurgy . By Arthur H. Hiorns. Macmillan & Co.,, New York. 1895. 12mo., 388 pp., 144 illustrations, cloth binding. Typography and paper of good quality. [PDF]
Joseph Struthers
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The Visible Word: Experimental Typography and Modern Art 1909-1923 [PDF]
Brian Donnelly, Johanna Drucker
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