Results 31 to 40 of about 60,108 (257)

Setting the Record Straight: The Intellectual Legacy of H. Igor Ansoff (1918–2002)

open access: yesStrategic Change, EarlyView.
ABSTRACT This study presents a comprehensive annotated bibliography of H. Igor Ansoff's intellectual contributions, addressing significant gaps in existing citation databases such as Scopus and Web of Science, which capture only 9 to 15 percent of his work.
Richard W. Puyt
wiley   +1 more source

You read best what you read most: An eye tracking study

open access: yesJournal of Eye Movement Research, 2020
At the threshold of the digital era, Zuzana Licko was of the opinion that familiar letterforms owe legibility to centuries-long exposure and that all new, prototypically unmatching forms would be equally legible if used as frequently. This paper examined
Uroš Nedeljković   +2 more
doaj   +1 more source

PEMILIHAN TIPOGRAFI PADA JUDUL FILM

open access: yesNirmana, 2003
Visual communication design can t be seperated from typography and its related subject. The development of typography is more effected by culture and making technic. The typography character can be percepted in many different ways. The choice of alphabet
Deddi Duto Hartanto
doaj  

In Search of the Holy Grail

open access: yesGrafica: Documents de Disseny Gràfic
This essay explores the search for an ideal typography course for design students. It analyzes the historical and social context of typography in post-war Poland, highlighting the impact of a non-democratic state on graphic design.
Kinga Blaschke   +2 more
doaj   +1 more source

The Designscapes of Harley Parker: Print and Built Environments

open access: yesImaginations: Journal of Cross-Cultural Media Studies, 2018
In this paper I present two views of Harley Parker, Marshall McLuhan’s longstanding collaborator. In the first I underline how Parker’s training in the arts as a typographic designer was put to work on the print projects for which he is best known ...
Gary Genosko
doaj   +1 more source

A Typographic Dilemma: Reconciling the old with the new using a new cross-disciplinary typographic framework [PDF]

open access: yes, 2004
Current theory and vocabulary used to describe typographic practice and scholarship are based on a historically print-derived framework. As yet, no new paradigm has emerged to address the divergent path that screen-based typography is taking from its ...
Yee, Joyce
core  

On the botanical history and nomenclature of the New World genus Piscidia (Fabaceae)

open access: yesNordic Journal of Botany, EarlyView.
Piscidia L. (Fabaceae) is a New World genus with nine recognized taxa (seven species and two varieties). The previous nomenclatural revisions, made in 1910 and in 1969, are revisited here. The names Derris grandifolia Heyde & Lux ex Donn.Sm. and P. cubensis Urb. required step II lectotypifications, with an epitype for the latter name.
Camila Sánchez‐ Vega   +4 more
wiley   +1 more source

Experimental Typography in Visual Design: A Systematic Literature Review

open access: yesArt Vision
Experimental typography is a design approach that redefines the form and function of letters by overcoming the rules of traditional typography. The works in this approach offer new ways of expression by using various techniques and forms to increase the ...
Aysel Güney Türkeç   +1 more
doaj   +1 more source

Digitising biological collections to advance National Species Inventories: A case study from the flora of Chile

open access: yesPLANTS, PEOPLE, PLANET, EarlyView.
In response to Chile's public policy to establish a national biodiversity inventory and monitoring system, we launched the HerbarioDigital.cl portal. We have digitised over 120,000 specimens representing more than 3,900 species from two Chilean herbaria, integrating them through a curated local taxonomic index.
Ricardo A. Segovia   +5 more
wiley   +1 more source

New Findings in Visual Communications on Visibility or Legibility in Different Media

open access: yesApplied Sciences
The visibility and legibility of graphic elements and typography in different colours are crucial for the rapid absorption and processing of information, the speed of which depends on typography and graphic design [...]
Klementina Možina, Maja Brozović
doaj   +1 more source

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