Results 31 to 40 of about 13,611 (300)

.Compostmodernism: Textual Machinery Through Typography and Materiality in Mark Z. Danielewski’s The Familiar

open access: yesOrbit, 2022
This article defines “.compostmodernism” as a successor to postmodernism by explicating of Mark Z. Danielewski’s The Familiar as an example of .compostmodern textual machinery—a system of two interconnected “machines” (one abstract, the other physical ...
Aislinn McDougall
doaj   +2 more sources

Typography Design’s New Trajectory Towards Visual Literacy for Digital Mediums

open access: yes, 2021
Typographic elements have a huge impact on how designed mediums affect visual literacy. This paper reviews the principles, perspectives and approaches in the production and function of typographic design visual media (print and digital), with the aim to ...
S. Poon
semanticscholar   +1 more source

The influence of education on chosen typographical characteristics perception in documents

open access: yesActa Universitatis Agriculturae et Silviculturae Mendelianae Brunensis, 2008
This paper concentrates on the problems of documents quality evaluation and perception. It presents the results of our own research which was made at our faculty in last months.
Petra Talandová, Jiří Rybička
doaj   +1 more source

Typography is a major component of advertising design and its relationship to the cultural diversity of consumers

open access: yesJournal of Architecture, Art & Humanistic Science, 2021
The treatment of lines and writings in a sophisticated concept comes to the consumer’s awareness of the linguistic writings in many ways. It is a text that reads but at the same time formal symmetries or visual elements that reflect from their treatment ...
Sara Gaber
doaj   +1 more source

Typography: the constant vector of dynamic logos

open access: yesVisual Communication, 2020
Visual identities can be constructed from a number of elements which together can be described as the Visual Identity System (VIS). Typography is one of the VIS’s central elements. Typically, the VIS elements have been considered as static and associated
Catarina Lélis   +3 more
semanticscholar   +1 more source

Trends in Modern Typography Design: Visual Preferences on E-Commerce Platforms

open access: yesInternational Journal of Graphic Design
In the digital era, typography design has become a fundamental element in shaping the visual identity and user experience of e-commerce platforms. Modern typography trends like minimalism, variable fonts, and responsive typography reflect a dynamic ...
Eun Myeong Go, Khaling Mothelsang
doaj   +1 more source

The great typography bake-off: comparing legibility at-a-glance

open access: yesErgonomics, 2020
Typography plays an increasingly important role in today’s dynamic digital interfaces. Graphic designers and interface engineers have more typographic options than ever before. Sorting through this maze of design choices can be a daunting task.
B. Sawyer   +3 more
semanticscholar   +1 more source

The significance of typography in data visualization

open access: yesGlobal Journal of Computer Sciences: Theory and Research, 2021
With the development of technology and the dominance of the digital world, typography has become a critical issue. Information design systems are considered as one of the significant areas of graphic design and big data provides essential information on ...
Halime Turkkan
semanticscholar   +1 more source

You read best what you read most: An eye tracking study

open access: yesJournal of Eye Movement Research, 2020
At the threshold of the digital era, Zuzana Licko was of the opinion that familiar letterforms owe legibility to centuries-long exposure and that all new, prototypically unmatching forms would be equally legible if used as frequently. This paper examined
Uroš Nedeljković   +2 more
doaj   +1 more source

The Designscapes of Harley Parker: Print and Built Environments

open access: yesImaginations: Journal of Cross-Cultural Media Studies, 2018
In this paper I present two views of Harley Parker, Marshall McLuhan’s longstanding collaborator. In the first I underline how Parker’s training in the arts as a typographic designer was put to work on the print projects for which he is best known ...
Gary Genosko
doaj   +1 more source

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