The Cormorant Ear – Adapted to Underwater Hearing?
Proceedings of the ICA 2019 and EAA Euroregio : 23rd International Congress on Acoustics, integrating 4th EAA Euroregio 2019 : 9-13 September 2019, Aachen, Germany / proceedings editor: Martin Ochmann, Michael Vorländer, Janina Fels 23rd International Congress on Acoustics, integrating 4th EAA Euroregio 2019, ICA 2019, Aachen, Germany, 9 Sep 2019 - 13 ...
Larsen, Ole Næsbye +2 more
openaire +2 more sources
Laypeople's Views on the Narrative Identity and Societal Treatment of Genetically Modified People
ABSTRACT Genome editing in human embryos could raise new ethical issues by changing future people's narrative and numerical identity. Most philosophers agree that some genetic modifications would have larger effects on identity than others, but they disagree on what criteria might explain these differences and have not supported their claims ...
Derek So, Yann Joly, Robert Sladek
wiley +1 more source
Acoustically evoked potentials in two cephalopods inferred using the auditory brainstem response (ABR) approach [PDF]
It is still a matter of debate whether cephalopods can detect sound frequencies above 400 Hz. So far there is no proof for the detection of underwater sound above 400 Hz via a physiological approach.
Chung, W.-S. +4 more
core +1 more source
Underwater Noise from Arctic Shipping: Impacts, Regulations and Recommendations [PDF]
Marine mammals, including whales, walrus, and seals, rely heavily on sounds for survival. The Arctic soundscape has long been shaped by their clicks and calls.
core
Exposure of benthic invertebrates to sediment vibration: From laboratory experiments to outdoor simulated pile-driving [PDF]
Activities directly interacting with the seabed, such as pile-driving, can produce vibrations that have the potential to impact benthic invertebrates within their vicinity.
Breithaupt, Thomas +11 more
core +1 more source
The Appreciation Game. A Monist Ontology of Works of Art
Abstract A pluralist ontology of art states that works of art can belong to distinct ontological categories whereas a monist ontology states that all works of art belong to one ontological category. A monist ontology would be preferable since it is more informative about the nature of art, and may pave the way for a definition of art.
Enrico Terrone
wiley +1 more source
The aesthetic sublime of megaproject structures: A framework and a research agenda
Abstract The physical structures of megaprojects—such as mega‐canals, metros, railway lines, bridges, tunnels, and iconic opera houses—hold a profound capacity to generate aesthetic experiences with enduring societal impact. Yet, research on megaprojects has predominantly focused on functionality and economic rationale with aesthetics being pushed to ...
Federica De Molli +2 more
wiley +1 more source
Novel Bio-Logging Tool for Studying Fine-Scale Behaviors of Marine Turtles in Response to Sound
Increases in the spatial scale and intensity of activities that produce marine anthropogenic sound highlight the importance of understanding the impacts and effects of sound on threatened species such as marine turtles.
Domit, Camila +6 more
core +1 more source
Imitation of Computer-Generated Sounds by Wild Atlantic Spotted Dolphins (Stenella frontalis) [PDF]
Since 1985 a community of wild Atlantic spotted dolphin (Stenella frontalis) have been observed underwater in the Bahamas. A human-worn, acoustic underwater two-way communication interface was developed and deployed from 2013-2016.
Denise L. Herzing +7 more
doaj +1 more source
ABSTRACT Large‐scale irrigation schemes are central to agrarian transformation in sub‐Saharan Africa, yet their political implications are often reduced to questions of land redistribution or agrarian differentiation. Although existing scholarship has documented how irrigation restructures agrarian relations and generates dispossession, less attention ...
William's Daré
wiley +1 more source

