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French Red Cross Ladies in International or Universal Exhibitions (1867–1937) [PDF]
Frontiers in Sociology, 2019 This paper attempts to pinpoint what French Red-Cross women were doing in the international exhibitions from 1867 to 1937. They engaged their energies into organizing meetings, exhibitions, and into healing, receiving awards for their work.
Corinne M. Belliard
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Culture & Musées, 2020 Universal Exhibitions are one of numerous instances elaborated in order to display animals during the second half of the 19th century. But the role of animals in such events has yet to be studied: how are they exhibited and staged?
Sophie Corbillé, Emmanuelle Fantin
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Géohistoire des prêts des collections du Louvre
Géographie et Cultures, 2021 This contribution aims to question the place of the Louvre as an actor in the globalized circulation of objects, based on the movement of artifacts loaned to museum institutions abroad between 1924 and 2017. For a cultural institution such as the Louvre,
Anne Hertzog, Sébastien Jacquot
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ILCEA, 2021 Through the prism of the participation of foreign painters, this article proposes to evoke how the Salon, associated with the French Universal Exhibitions from 1855 onwards, constituted a real system for the promotion of artistic careers on an ...
Laurent Cazes
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Mikrogeschichte eines Weltereignisses
Österreichische Zeitschrift für Geschichtswissenschaften, 2009 Universal exhibitions are almost exclusively described as representations of an outside reality. The authenticity of the exhibits and the relation between the display and the real thing are considered in order to investigate the political aims and ...
Volker Barth
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The Journal of Transcultural Studies, 2011 The analysis of hidden power constellations in any translation process between cultures–in this special case between Asia and Europe–is an emerging feature in (trans-)cultural studies.
Michael Falser
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Les expositions universelles, une utopie touristique toujours d’actualité ?
Études Caribéennes, 2017 Through the recent and past universal exhibitions and more particularly the world’s fair of Milan 2015 and Port-au-Prince 1949, we recall that this tourist practice of the pleasure trip in a large city dates back to the xixth century, it accompanies the ...
Patrice Ballester
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, 2022 Universal Design has become more prevalent in the general use of architectural design buT has rarely been applied to exhibits. This paper features two manuals developed for exhibit accessibility that incorporate several principles of Universal Design.
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Museums as disseminators of niche knowledge: Universality in accessibility for all [PDF]
, 2019 Accessibility has faced several challenges within audiovisual translation Studies and gained great opportunities for its establishment as a methodologically and theoretically well-founded discipline. Initially conceived as a set of services and practices
Rizzo A
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