Results 71 to 80 of about 173,190 (245)
THE PHENOMENON OF UNRELIABLE NARRATOR IN W. GOLDING’S “THE PAPER MEN”
O. Shapoval
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Asja Bakić’s Feminist Weird Fiction
Born in Bosnia in 1982, Asja Bakić now lives in Croatia, and publishes both in Croatia and Serbia. A member of a new generation of Balkan and post-Yugoslav writers, Bakić is not only poet and essayist, but also gained international success with her short
Maša Grdešić
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Unreliable Narrator and Embedded Narratives in the Fiction of Kazuo Ishiguro
تغريد حامد محمد طنطاوي +2 more
semanticscholar +1 more source
Playing with Identity. Authors, Narrators, Avatars, and Players in The Stanley Parable and The Beginner’s Guide [PDF]
This article offers a comparative analysis of Davey Wreden’s The Stanley Parable (Wreden 2011 / Galactic Cafe 2013) and The Beginner’s Guide (Everything Unlimited Ltd.
Backe, Hans-Joachim, Thon, Jan-Noël
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The Secret Secret Sharer [PDF]
Opening Plenary Session“The Secret Sharer”, written in 1909 in a respite from the composition of the novel that was to become Under Western Eyes, is one of Conrad’s most straightforward as well as one of his most popular stories.
Kerr, D
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This article examines the domestic noir miniseries The Woman In The House Across The Street From The Girl In The Window (2022), in which Anna is struggling to cope after her daughter’s murder. She turns to alcohol and medication, often mixing the two, to
Katharina Hendrickx
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Fictional and Fragmented Truths in Korean Adoptee Life Writing [PDF]
This article explores the ways that life writing allows transnational, transracial Asian adoptee authors to navigate their complex experiences of truth and authenticity.
Wills, Jenny Heijun
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V.S. Naipaul's three novels of the 1970s (In a Free State, Guerrillas and A Bend in the River) earned him a reputation as a misogynist. The only sustained critical examination of women in his fiction came in the late seventies and eighties as a reaction ...
Dooley, Gillian Mary
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Let Seizing Truths Lie: Witnessing “Factions” in Lauren Slater’s Lying
In her memoir, Lying (2000), Lauren Slater fabricates most of her life narrative. Her text frustrates those who resent the combined fact and fiction—or “faction”—that she spins. This readerly response is understandable.
Eden Wales Freedman
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The Sense of Guilt as the Factor Shaping the Form of Waterland and Out of This World [PDF]
Zadanie pt. „Digitalizacja i udostępnienie w Cyfrowym Repozytorium Uniwersytetu Łódzkiego kolekcji czasopism naukowych wydawanych przez Uniwersytet Łódzki” nr 885/P-DUN/2014 dofinansowane zostało ze środków MNiSW w ramach działalności upowszechniającej ...
Witek, Katarzyna
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