Results 11 to 20 of about 748 (71)
Response to David Temperley's Commentary [PDF]
, 2006 The author responds to points raised in David Temperley’s commentary, which appeared in Vol. 1, No. 2 of Empirical Musicology Review. The response includes a discussion of strengths and limitations of atemporal models of musical perception, with ...
Thomson, William
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Recognition of variations using automatic Schenkerian reduction. [PDF]
, 2010 Experiments on techniques to automatically recognise whether or not an extract of music is a variation of a given theme are reported, using a test corpus derived from ten of Mozart's sets of variations for piano.
Marsden, Alan
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Sémiotique et rhétorique musicales : la Fantaisie en ré mineur de Mozart [PDF]
, 2010 La Fantaisie KV 397 est examinée ici de deux points de vue différents mais complémentaires.La première approche est d’ordre analytique, inspirée par les travaux d’Heinrich Schenker (1868-1935) qui, dès 1930, avait anticipé dans le domaine de l’analyse ...
Bartoli, Jean-Pierre, Meeùs, Nicolas
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Deceiving the Ear: Recontextualization, Key Association, and Auxiliary Cadence in Two Songs by Hugo Wolf [PDF]
, 2012 Analysis of Hugo Wolf's "An den Schlaf" and "Lebe ...
Ryan Taycher
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A Memetic Analysis of a Phrase by Beethoven: Calvinian Perspectives on Similarity and Lexicon-Abstraction [PDF]
, 2015 This article discusses some general issues arising from the study of similarity in music, both human-conducted and computer-aided, and then progresses to a consideration of similarity relationships between patterns in a phrase by Beethoven, from the ...
Blackmore S. J. +32 more
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Berlioz, Love, and Béatrice et Bénédict [PDF]
, 2015 Berlioz's final opera, Béatrice et Bénédict (1860–62) has generally been considered a light-hearted work, revelling in the simple joys of love. Yet his final development of the theme of love, which had preoccupied him at least since the Symphonie ...
Harper-Scott, J. P. E.
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Bridging the divide : embedding voice-leading analysis in string pedagogy and performance. [PDF]
, 1999 Experience as a music lecturer in higher/further education and as an instrumental teacher suggests that instrumental pedagogy – focused on strings – and music analysis could usefully be brought closer together to enhance performance.
Mawer, Deborah
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The Aesthetics of Evanescence in the Poetry of Octavio Paz [PDF]
Creamos la estética de la evanescencia que contrastamos con lo que Peirce llama la Primeridad y con el concepto de infiniversión que hemos descubierto en la poética moderna. Reconocemos en poemas de Octavio Paz, especialmente, Ladera Este y Árbol Adentro,
Díaz Gamboa, Sandra Lucía
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Memetic Perspectives on the Evolution of Tonal Systems [PDF]
, 2015 Cohn (1996) and Taruskin (1985) consider the increasing prominence during the nineteenth century of harmonic progressions derived from the hexatonic and octatonic pitch collections respectively.
Blackmore S. J. +19 more
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Music Analysis, Volume 44, Issue 1, Page 3-43, March 2025.ABSTRACT Is musical analysis meant to guide performance – or to be based on it? Can a Schenkerian analysis of a piece be corroborated by a performance or an arrangement? This article addresses these questions through a well‐known test case – the first prelude of the first book of Bach's Well‐Tempered Clavier, as analysed by Heinrich Schenker in Five ...
NAPHTALI WAGNER, RAM REUVEN
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