Results 41 to 50 of about 747 (71)
“A small, shabby crystal, yet a crystal”: A life of music in Wittgenstein’s Denkbewegungen [PDF]
, 2019 Ludwig Wittgenstein's life and writings attest the extraordinary importance that the art of music had for him. It would be fair to say even that among the great philosophers of the twentieth century he was one of the most musically sensitive ...
Guter, Eran
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An approach to melodic segmentation and classification based on filtering with the Haar wavelet [PDF]
, 2013 We present a novel method of classification and segmentation of melodies in symbolic representation. The method is based on filtering pitch as a signal over time with the Haar-wavelet, and we evaluate it on two tasks. The filtered signal corresponds to a
Berger J. +16 more
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Gustav Mahler\u27s Kindertotenlieder: Connecting The Movements Of The Song Cycle Through Schenkerian Analysis [PDF]
, 2016 Gustav Mahler composed the song cycle Kindertotenlieder at the beginning of the 1900s. Depicting a mournful subject based on the poems of Friedrich Rü;ckert, the Lieder explore the different emotions and perspectives of a grieving parent who has lost his
Fleetwood, Gabriel Quinton
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Rhetoric, form, and sovereignty in Schubert\u27s Prometheus, D. 674 [PDF]
, 2005 Franz Schubert\u27s Prometheus, D. 674 (1819), sets a free-verse dramatic monologue by Johann Wolfgang von Goethe in which Prometheus, the Titan who presented fire and hope to mankind, declares himself independent from Zeus.
Angert, Erica Brady
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A System for the generation of tonal music based on transformations [PDF]
, 1988 Most if not all of the approaches being used in the computer study of natural languages also have been applied to the computer study of music. Music theorist Heinrich Schenker (1867 - 1935) developed a system for the study of tonal music that is ...
Myers, Karl J.
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It Can\u27t Be! Faked Functionality and Ambiguity in Brahms\u27s F Minor [PDF]
, 2017 A performance of any piece of music is not complete if the performer has not looked at the piece from historical and analytical perspectives. Having decided to perform the first movement of Johannes Brahms’s Sonata in F Minor, Op.
Kostenko, Kyle
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The Early Schenkerians and the Concept of Tonality [PDF]
, 2016 This essay investigates the role that a single expression played during the years when Schenker’s ideas began to disseminate en masse, the so-called “concept of tonality.” In particular, it examines how three key Schenker disciples—Oswald Jonas, Felix ...
Koslovsky, John
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Complex upper-voice cadential figures in traditional tonal music [PDF]
, 2014 Harmony and voice-leading are integrated in the hierarchical networks of Schenkerian analyses: the top (most abstract) level of the hierarchy is a fundamental structure that combines a single upper voice and a bass voice in counterpoint.
Neumeyer, David
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Melody generator: A device for algorithmic music construction [PDF]
This article describes the development of an application for generating tonal melodies. The goal of the project is to ascertain our current understanding of tonal music by means of algorithmic music generation. The method followed consists of four stages:
Dirk-jan Povel
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