Results 51 to 60 of about 1,816 (179)
This collaborative multidisciplinary pilot project involving the Victoria and Albert Museum (V&A), the Ashmolean Museum, and Newham Borough of London, examined the composition of a selection of eighteenth-century porcelain objects by two of London’s ...
Lucia Burgio +3 more
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International principles and standards for the practice of ecological restoration. Third edition
Abstract Introduction Growth in understanding of ecological restoration necessitates updated guidance for effective, equitable, and outcome‐oriented restoration across terrestrial, inland water, and coastal and marine ecosystems. The third edition of the Society for Ecological Restoration (SER) International Principles and Standards for the Practice of
George D. Gann +24 more
wiley +1 more source
The colourful career of Sir. John Charles Robinson: collecting and curating at the early South Kensington Museum [PDF]
John Charles Robinson was a ‘Renaissance man’ of the Victorian art world: a curator, collector, critic, connoisseur, design teacher and even a practicing artist.
Charlotte Drew
doaj
Archives of impact: The politics of craters on Earth
This paper examines Earth’s 195 confirmed impact craters as archives, exploring their cataloguing and presentation as heritage sites. It argues Western scientific framings using military language and emphasising catastrophe overlook settler colonialism’s violent histories and marginalise indigenous earth‐sky cosmologies.
Gareth Hoskins
wiley +1 more source
Il museo che non c’è. Note sulla dispersione del patrimonio in Gran Bretagna
Indifferente alla loro recente moltiplicazione come al sodalizio che vi si celebra con l’architettura di grido, un fantasma si aggira per i musei. Sordo al nome di Jean Nouvel (Reina Sofia, Louvre) quanto a quelli di Herzog & De Meuron (Tate Modern ...
Caroline Patey
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Museums shape our perception of history and culture. In order to understand object accessions and the composition of museum collections, it is necessary to analyse the collectors from whom the objects were acquired.
Astrid Brixy, Mona Dietrich, Tim Weyrich
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The deposition of the sandstone sedimentary succession of the Beacon Supergroup lasted more than 200 Myr (Devonian to Early Jurassic) in Victoria Land and nearby territories in the so‐called Transantarctic Basin, recording crucial events in the history of the Earth.
Luca Zurli +7 more
wiley +1 more source
Resurrection, Re-Imagination, Reconstruction: New Viewpoints on the Hereford Screen
The Hereford Screen is one of the most complex and intricate choir screens of the Victorian era. Positioned in the gallery of the Victoria and Albert Museum’s main entrance, its glistening metalwork, brass, and terracotta effect surfaces, incrustations ...
Ayla Lepine
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Early Jurassic volcanism was in the southern north Victoria Land portion of the Ferrar Large Igneous Province preceded by multiple phases of shallow‐level intrusions of Ferrar sills into the 300 m thick cover of sedimentary rocks of the Triassic‐Jurassic Victoria Group.
Lothar G. Viereck +7 more
wiley +1 more source
Everything Judged on Its Own Merit? Object Conservation and the Secular Museum
This paper is an anthropological study on conservation and museum practice, interrogating the negotiative value of conservation. It is asking who’s worth consulting when dealing with the preservation of complex museum objects, when a source community is
Titika Malkogeorgou
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