The Mannerist “revolution”, Dvořák and Soviet Art History [PDF]
Journal of Art Historiography, 2021 Max Dvořák is widely recognized as a key contributor to the tectonic change in the perception of Mannerism amongst art historians. Soviet scholars could not ignore this shift. In this paper, I trace the impact of Dvořák’s writings on Mannerism in Italian
Stefaniia Demchuk
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Peristil, 2022 The author discusses the history of the Vienna Institute for Art History in the 1950s based on Renate Rieger’s work as an assistant. The author focuses mainly on the issue of her upholding the founding principles of the “Vienna School of Art History ...
Friedrich Polleroß
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Conference report on: Max Dvořák and the “Denkmalpflege”, 13 October 2021, Monuments Board of the Slovak Republic [PDF]
Journal of Art Historiography, 2022 The year of 2021 was remembered as the centenary of the death of Max Dvořák, one of the leading figures of the Vienna School of Art History. The branch of Austrian monument protection represented a lesser-known field of his professional career.
Tomáš Kowalski
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Alois Riegl’s “Baroque” in the light of selected passages in his unpublished manuscripts [PDF]
Journal of Art Historiography, 2023 This article deals with aspects of Alois Riegl’s investigation of Baroque art in light of selected passages of his still unpublished manuscripts. The analysis of this voluminous corpus, in comparison with Riegl’s posthumous publications on the “origins ...
Eleonora Gaudieri
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Austrian Philosophy and its Institutions: Remarks on the Philosophical Society of the University of Vienna (1888-1938) [PDF]
, 2014 This study examines the place of the Philosophical Society of the University of Vienna (1888-1938) in the evolution of the history of philosophy in Austria up to the establishment of the Vienna Circle in 1929.
Fisette, Denis
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Why Business Schools Need Radical Innovations: Drivers and Development Trajectories [PDF]
, 2020 Business education is undergoing paradigmatic changes, and business schools are feeling the brunt of these changes. This article proposes that "business as usual" is over for traditional business schools.
Schlegelmilch, Bodo B.
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Hans Sedlmayr, ‘History and the History of Art’, trans. Karl Johns [PDF]
Journal of Art Historiography, 2022 In the same year of 1934 as Julius von Schlosser celebrated the eightieth anniversary of the Österreichisches Institut für Geschichtsforschung with his essay ‘Die Wiener Schule der Kunstgeschichte’, Eberhard Hempel in his essay, ‘Ist ‘eine strenge ...
Karl Johns
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Consistently Inconsistent: What Is a Qualifying Investment Under Article 25 of the ICSID Convention and Why the Debate Must End [PDF]
, 2016 International investment has helped to pave the way for an increasingly globalized world community. Consequently, the International Centre for Settlement of Investor Disputes (ICSID)—existing under the mandate of the World Bank and with the stated ...
Exelbert, Jeremy Marc
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Art as a Principle and Pattern. Vojtěch Birnbaum’s Concept and Method of Art History. 17/TM1 English version of Umění jako princip a zákonitost. K dějinám a metodologii umění Vojtěcha Birnbauma, Archiv výtvarného umění, z. s., Kostelec nad Černými lesy, 2017. [PDF]
Journal of Art Historiography, 2017 This book was published to coincide with an exhibition titled Vojtěch Birnbaum: The Principle of Art organised by the Archive of Fine Arts at the Centre for Contemporary Art DOX in Prague in 2017, commemorating the 140th anniversary of the birth of art ...
Tomáš Murár
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Julius von Schlosser and the need to reminisce [PDF]
Journal of Art Historiography, 2009 In the present essay of 1936, Julius Schlosser seems to have originated the term of ‘die Wiener Schule de Kunstgeschichte’. After surviving a period of exasperating rivalry with Josef Strzygowski, seeing so many colleagues go to their graves before ...
Karl Johns
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