Results 11 to 20 of about 115 (107)
Ethnography, Incongruity, History: Soviet Poetic Cinema
Abstract This essay examines the entangling of the poetic and the ethnographic in the art cinema of the 1960s as an indicator of a broader collision of epistemological/discursive regimes in postwar Soviet cinema—and ultimately, a clash between two fundamentally opposed approaches to the discursive production of history.
Elizabeth A. Papazian
wiley +1 more source
The Andean cordillera, the Himalayan collisionorogen, and the Apennine thrust belt are archetypes of different orogens associatedwith different sedimentary basins. Sediment storage capacity, maximum inforedeeps where slab retreat induces rapid subsidence of the downgoing plate, isminimum in broken retroarc basins where flat‐slab subduction leads to ...
Eduardo Garzanti +4 more
wiley +1 more source
When characters travel 'at the speed of plot', they need to arrive at the conclusion of the story by the time the narrative comes to its end on the page. This article develops the popular notion of 'plot speed' into a conceptual contribution to the study of time in narrative.
Karin Kukkonen
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Viktor Shklovsky vs. Roman Jakobson. Poetic Language or Poetic Function of Language
abstact
Ilya Kalinin
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Viktor Shklovsky’s début in the Moscow Linguistic Circle: From “history of the novel” to “unraveling of the literary plot” [PDF]
The article reconstructs the circumstances of Shklovsky’s first talk in the Moscow Linguistic Circle (MLC) and outlines the history of his relationship with Moscow-based Formalists (1919–1921).
Igor Pilshchikov
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Reading War and Peace as a Translingual Novel
This article re-examines Lev Tolstoy’s novel Voina i mir (War and Peace) in light of recent research in the field of translingual literary studies. This Russian novel contains numerous passages, phrases, and words in French.
Julie Hansen
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Mistake as method: Towards an epistemology of errors in creative practice and research
The article focuses on creative research as a practice, a form of making, attending to the making of mistakes – errors, deviations, detours – as the uncertain ground of an emerging methodological paradigm.
Maria Korolkova, Simon Bowes
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“Moments of Blackness Between Cinematic Frames”: Movie Code in Ralph Ellison’s Juneteenth [PDF]
The paper sets out to explore various modes, in which cinematic code operates in the novel Juneteenth authored by the renowned (African) American writer Ralph Ellison and published posthumously in 1999.
Natalia A. Vysotska
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Ostranenie Does Not Equal Ozvláštnění: An Issue of a Term Transferred and Misunderstood // [PDF]
The text focuses on the question of the transfer and translation of several Formalist concepts, such as ostranenie and tochka zrenia. The interpretation is based on Boris Uspensky’s A Poetics of Composition, it revisits the original definition provided
Libuše Heczková, Kateřina Svatoňová
doaj
The evaluation of “repetition" from the formalistic point view [PDF]
The second decade of the twentieth century is the beginning of a massive transformation in literary theory which was called later "formalism". The outstanding feature of this school was breaking with literary norms belong to the past and discover the ...
Bahiyeh Ahmadi Bidguli +1 more
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