Results 21 to 30 of about 115 (107)

OPOIAZ and Bakhtin: the Decision Science’s perspective

open access: yesСлово.ру: балтийский акцент, 2019
Decision science is a relatively new discipline: the product of a cross-pollination among mathematics, psychology, economy and a few other branches of knowledge.
Steiner P.
doaj   +1 more source

Vladimir Mayakovsky as “a Singing Ilya Muromets”: “Karacharovo” by Viktor Sosnora

open access: yesФилологический класс, 2022
The article analyzes the poem by Viktor Sosnora (1936–2019) “Karacharovo” (1959). The poet entered the world of literature with a book of poems on Old Russia (“Horsemen”).
doaj   +1 more source

Defamiliarization in Selected Poems of E.E. Cummings and Adonis [PDF]

open access: yesمجلة کلية الاداب جامعة حلوان
Defamiliarization as a modern concept, coined by the Russian Viktor Shklovsky (1893 – 1984) in his essay “Art as Technique,” breaks the grounded rules of modern poetic writings at different levels either form, language, images, or punctuation.
آيه محمد علي عطوه محمد طاحون
doaj   +1 more source

Vyacheslav Ivanov’s Concept of the “Zvukoobraz” [PDF]

open access: yesЛитературный факт
The paper investigates the concept of the “zvukoobraz” (sound-image) in literary-philosophical articles and lectures on poetics by Vyacheslav Ivanov, specifically its origins, meaning, and context.
Konstantin Yu. Lappo-Danilevskii
doaj   +1 more source

Lenin as an Object of Formalist Discourse: The Limits of the Literary and the Boundaries of Discipline

open access: yesThe Russian Review, Volume 85, Issue 2, Page 197-216, April 2026.
Abstract The analysis of Lenin’s language and rhetoric undertaken by the leading representatives of Russian Formalism in the pages of the journal LEF in early 1924 represents more than a tactical attempt to align Formalism with the mainstream of Bolshevik culture‐building in the context of the Soviet 1920s.
Alastair Renfrew
wiley   +1 more source

Tolstoy Against Things: Ostranenie, Pragmatic Conversions and Natural Attitude

open access: yesRUS (São Paulo)
The article discusses Viktor Shklovsky's concept of defamiliarization (ostranenie) from a broad perspective, including criticisms of it, its contemporary ramifications and even parallels, such as the Brechtian V-effekt.
Guilhem Pousson
doaj   +1 more source

Getting ethnographic “wrongs” right: Continuity, reflexivity, and possibility in fieldwork dilemmas

open access: yesAnthropology and Humanism, Volume 50, Issue 2, December 2025.
Abstract When the hypotheses and presumptions underlying an ethnographic fieldwork project are found to be “wrong,” why can this be productive for research? By tying my autoethnographic narrative of having my doctoral research seemingly fall apart to anthropological conversations about reflexivity, this essay explores how the continuity of ethnography ...
Dylan H. O'Brien
wiley   +1 more source

Symbolismus jako inspirace pro 20. století. Pojem „kulturního paradigmatu“ // Symbolism as inspiration for the 20th century: a concept of a cultural paradigm [PDF]

open access: yesSvět Literatury, 2017
Literary history commonly grounds itself in the heritage of philosophical positivism. It is not only its predilection for facts, but also a belief that the facts themselves can provide for the contours of syntheses and concepts of major styles and ...
Vladimír Svatoň
doaj  

Metaphors Realized in Narrative: A New Direction for Biblical Metaphor

open access: yesReligion Compass, Volume 18, Issue 10, October 2024.
ABSTRACT An insight of Conceptual Metaphor Theory (CMT) is that metaphor is more than a mere literary device; it influences readers through cognitive connections. Yet biblical metaphors have most often been studied in poetic, theological contexts and within linguistic rhetorical devices like “YHWH is my shepherd.” In contrast, some of the most ...
Esther Brownsmith
wiley   +1 more source

El cubre de la cama y el sofá en una casa de la calle meshchanskaya. Sobre Viktor Shklovsky y la percepción de los objetos

open access: yes[i2]: Investigación e Innovación en Arquitectura y Territorio, 2016
Tretya meshchanskaya es el título de la película muda filmada en 1927 y dirigida por el cineasta ruso Abram Matveyevich Room. La traducción literal, Cama y sofá, alude a dos de los muebles de la pequeña vivienda de la calle meshchanskaya, mobiliario ...
Barberá Pastor, Carlos
doaj   +1 more source

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