Results 21 to 30 of about 124,836 (212)
Regular expressions as violin bowing patterns [PDF]
, 2012 String players spend a significant amount of practice time creating and learning bowings. These may be indicated in the music using up-bow and down-bow symbols, but those traditional notations do not capture the complex bowing patterns that are latent ...
O'Donnell, J.T., Hall, C.
core +1 more source
“Le père-créateur” of modern school of violin playing: marking the anniversary of Giovanni B. Viotti
Современные проблемы музыкознания, 2020 The article focuses on one of the key figures in the world of music at the turn of the 18th/19th centuries, an acknowledged leader of French school of violin playing—G.B. Viotti.
Polina B. Podmazova
doaj +1 more source
Frontiers in Psychology, 2014 Temporal coordination between members of a string quartet was investigated across repeated performances of an excerpt of Haydn’s string quartet in G Major, Op. 77 No. 1.
Renee eTimmers +5 more
doaj +1 more source
Stage Fright from Kató Havas’ Perspective: An Assessment on Violinists
Konservatoryum, 2023 This research presents Kató Havas’ views on stage fright among violinists in particular, with the belief that a performer whose mission in life is to overcome stage fright must be able to feel the full power of music, and contributes to musicians in this
Yusuf Dursun
doaj +1 more source
Studia z Filologii Polskiej i Słowiańskiej, 2015 Цигулка, гъдулка… and other names for ‘violin, fiddle’ in Bulgarian (in comparison to other Slavonic languages) This paper analyses names for ‘violin’ in Bulgarian, examined against a Slavonic background.
Zbigniew Rusek
doaj +1 more source
From Bows to Sound-Chests: Tracing the Ancestry of the Violin
Musical Offerings, 2016 The ancestry of the violin is a subject that has been studied, researched, debated, and written about in great detail. However, despite all of the research and study, the ancestry of the violin is still not certain.
Janelle R. Finley
doaj +1 more source
Tambor y Mejorana: Roque Cordero's Rapsodia Panameña
Per Musi, 2022 Panamanian composer Roque Cordero (1917-2008) is known for his use of twelve-tone technique but also for the incorporation of Panamanian music into his compositions. However, his methods for doing so have largely remained unstudied. This article examines
Samuel Robles
doaj +1 more source
Acta AcusticaDuring the Bilbao project, six violins were built with systematic geometry control in order to investigate the influence of the plate thickness on the dynamics, sound and playing characteristics of the complete instruments.
Meza-Pérez Amaury +6 more
doaj +1 more source
Modal Analysis of a Trapezoidal Violin Built after the Description of Félix Savart
Archives of Acoustics, 2014 One-dimensional experimental modal analysis of an unvarnished trapezoidal violin built after the descriptions of F. Savart and an anonymous trapezoidal violin on display in the Music Instrument Museum of Brussels is described.
Tim DUERINCK +2 more
doaj +1 more source
More than an Afterimage: Music as Holocaust Spatial Representation and Legacy
Genealogy, 2023 Music occupies a unique and multi-faceted role in spatial representation of the Holocaust, both in terms of documenting its horrors and in cultivating legacy. This uniqueness derives from music’s dual temporal and physical essence as it is represented by
Kellie D. Brown
doaj +1 more source