Results 41 to 50 of about 331,338 (347)

Une Larme [PDF]

open access: yes, 1919
Transcribed for violin with piano accompaniment by A. Walter Kramer.
Mussorgsky, Modest Petrovich
core   +4 more sources

From Bows to Sound-Chests: Tracing the Ancestry of the Violin

open access: yesMusical Offerings, 2016
The ancestry of the violin is a subject that has been studied, researched, debated, and written about in great detail. However, despite all of the research and study, the ancestry of the violin is still not certain.
Janelle R. Finley
doaj   +1 more source

Tambor y Mejorana: Roque Cordero's Rapsodia Panameña

open access: yesPer Musi, 2022
Panamanian composer Roque Cordero (1917-2008) is known for his use of twelve-tone technique but also for the incorporation of Panamanian music into his compositions. However, his methods for doing so have largely remained unstudied. This article examines
Samuel Robles
doaj   +1 more source

More than an Afterimage: Music as Holocaust Spatial Representation and Legacy

open access: yesGenealogy, 2023
Music occupies a unique and multi-faceted role in spatial representation of the Holocaust, both in terms of documenting its horrors and in cultivating legacy. This uniqueness derives from music’s dual temporal and physical essence as it is represented by
Kellie D. Brown
doaj   +1 more source

Exploring design variations of the Titian Stradivari violin using a finite element model.

open access: yesJournal of the Acoustical Society of America, 2020
Because violins are traditionally hand-crafted using wood, each one is unique. This makes the design of repeatable experiments studying some aspects of its dynamic behavior unfeasible.
J. A. Torres   +2 more
semanticscholar   +1 more source

Towards a finite element model of a batch of experimental violins: validation on sub-structural components

open access: yesActa Acustica
During the Bilbao project, six violins were built with systematic geometry control in order to investigate the influence of the plate thickness on the dynamics, sound and playing characteristics of the complete instruments.
Meza-Pérez Amaury   +6 more
doaj   +1 more source

Modal Analysis of a Trapezoidal Violin Built after the Description of Félix Savart

open access: yesArchives of Acoustics, 2014
One-dimensional experimental modal analysis of an unvarnished trapezoidal violin built after the descriptions of F. Savart and an anonymous trapezoidal violin on display in the Music Instrument Museum of Brussels is described.
Tim DUERINCK   +2 more
doaj   +1 more source

Reception of the Istrian musical tradition(s) [PDF]

open access: yesMuzikologija, 2007
The successive colonization of Istria with culturally differentiated populations, and peripheral position of the peninsula regarding both the Latin and Slav worlds, has conditioned interesting phenomena which defines the traditional life of the province.
Marušić Dario
doaj   +1 more source

FEM Investigation of the Air Resonance in a Cretan Lyra

open access: yesVibration, 2023
Cretan lyra is a stringed instrument very popular on the island of Crete, Greece, and an important part of its musical tradition. For stringed musical instruments, the air mode resonance plays a vital part in their sound, especially in the low frequency ...
Nikolaos M. Papadakis   +2 more
doaj   +1 more source

About Musical Instruments of Egor Efimov in F.M. Dostoevsky’s Novel Netochka Nezvanova [PDF]

open access: yesДостоевский и мировая культура: Филологический журнал, 2019
The article is devoted to an attempt to study the musical instruments belonging to Egor Efimov: the clarinet, which by its nature is close to the hero, and the violin as the image of death in the story.
Daria A. Troshkova
doaj   +1 more source

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