An Analysis of Shush Goblet in terms of Structure and Content [PDF]
پیکره, 2014 In order to understand the visual artworks, one needs to appreciate two key aspects; structure (form) and content. The former represents the overall base of the picture and the latter deals with identity of the work including the atti-tude of its creator.
Marzieh Poulad Chang +2 more
doaj +1 more source
Visual Art and Visual Perception [PDF]
Perception, 2015 Visual art and visual perception‘Visual art’ has become a minor cul-de-sac orthogonal to THE ART of the museum directors and billionaire collectors. THE ART is conceptual, instead of visual. Among its cherished items are the tins of artist’s shit (Piero Manzoni, 1961, Merda d’Artista) “worth their weight in gold”. I perceive a metabletic (van den Berg,
openaire +3 more sources
Seeing is believing. Or is it?: visual literacy in art & design education [PDF]
, 2016 Visual forms of communication are dominant in the digital era. As the visual has increased in influence throughout contemporary culture, art & design slide collections, which would have traditionally helped users make sense of the visual world, have ...
Elkins, Sontag, Sturken
core +1 more source
Comparing Artistic Style and Scientific Illustration Practices in the Illustrated Copies of al-Ḥashāʾish (Quwā al-Aghdhiyah) at the Parliament Library and Discorsi by Mattioli at the British Library, London [PDF]
نگرهIntroduction: Illustration is known today as a scientific illustration because the coexistence and association of science and art have long been part of the characteristics of the progress of any civilization.
Abouzar Nasehi +2 more
doaj +1 more source
Comparative study of figurative statues of Evan Penny and Ron Mueck [PDF]
پیکره, 2014 Throughout the history of art, human has been a creature that always has created and has been created. How human body is viewed in different periods carries an especial concept.
Neda Mohammadi, Adham Zargham
doaj +1 more source
Write Like a Visual Artist: Tracing artists’ work in Canada’s textually mediated art world [PDF]
, 2016 This study examines the social organisation of Canada’s art world from the standpoint of practising visual artists. Bringing together theories of literacy and institutional ethnography, the article investigates the literacy practices of visual artists ...
Klostermann, Janna
core +3 more sources
Imperfect Data, Art Markets and Internet Research
Arts, 2019 The sheer volume of data generated on the Internet has reached unprecedented numerical heights and has enabled new data-driven methodologies to study art and its markets.
Hans J. Van Miegroet +2 more
doaj +1 more source
Disaster aesthetic: disaster social space in disasterthemed mural
MATEC Web of Conferences, 2018 Messages in a mural are delivered through the processing of visual elements embedded with symbols, signs, codes, and meanings. The messages delivered in the mural comprise both verbal and visual.
Wahyono +3 more
doaj +1 more source
«Qavam Shahnameh», Another Perspective on the Art of Persian Painting in Shiraz during the Safavid Period [PDF]
پیکرهIntroduction: The illustrated manuscript of the «Qavam Shahnameh», preserved in the Reza Abbasi Museum, includes 38 paintings. This Shahnameh was written by Mohammad Qavam Shirazi in 1000 A.H., but the name of the painter(s) is not mentioned.
Babak Attarian, Mostafa Naderloo
doaj +1 more source
The Place of the Sky in Persian Miniatures from the Beginning until the Tenth (Hijri) Century [PDF]
پیکره, 2015 The sky has always had a special place in Persian religious and mythical be-liefs. It has been interpreted as a representation of holiness and refinement. This study aimed to examine the place as well as the significance of the sky in Persian miniatures.
Adham Zargham, Elham Heidari
doaj +1 more source