Results 31 to 40 of about 1,762,066 (199)
Using Marc Chagall’s Visual Art in Teaching Visual Arts
Revija za Elementarno Izobraževanje, 2019 This paper focuses on the importance of visual arts in the education of students, while also analyzing the need for using a work of visual art as material in teaching visual arts. The works of Marc Chagall, one of the most significant artists of the 20th century, were chosen for the purpose of the research. The aim of the paper was to reveal the visual
Brajčić, Marija +2 more
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"Darling Look! It’s a Banksy!” Viewers’ Material Engagement with Street Art and Graffiti [PDF]
, 2016 This chapter examines viewers’ affective encounters with street art and graffiti, with attention to the critical framework provided by Rancière (2004), whose work suggests a method for investigating our aesthetic practices of participation (or exclusion)
Flynn, Danny, Hansen, Susan
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From Pixels to Sentiment: Fine-tuning CNNs for Visual Sentiment Prediction [PDF]
, 2017 Visual multimedia have become an inseparable part of our digital social lives, and they often capture moments tied with deep affections. Automated visual sentiment analysis tools can provide a means of extracting the rich feelings and latent dispositions
Campos, Victor +2 more
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Experience Mode of Digital Media Art under Virtual Reality Technology
Applied Bionics and Biomechanics, 2022 With the progress of the country’s comprehensive strength and scientific strength, the development of science and technology has brought tremendous changes to people’s lives and at the same time brought information dissemination and media methods to a ...
Xingming Wu, Yehan Li
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, 2015 One of the most influential ideas of twentieth-century art history and aesthetics is that vision has a history and it is the task of art history to trace how vision has changed.
Nanay, Bence
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Psychasthenia Studio and the Gamification of Contemporary Culture
Media and Communication, 2018 What does it mean to say that Games Matter within a new media art context? Conversely, what contributions can artists and scholars exploring the medium make to the cultural conversation around their use and meaning?
Victoria Szabo
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Aesthetic preference for art emerges from a weighted integration over hierarchically structured visual features in the brain [PDF]
, 2020 It is an open question whether preferences for visual art can be lawfully predicted from the basic constituent elements of a visual image. Moreover, little is known about how such preferences are actually constructed in the brain.
Iigaya, Kiyohito +4 more
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Iconography and Interpretation of Mythological Birds in Messenger Logos [PDF]
پیکرهIntroduction: Mythological motifs in the design of messenger logos can facilitate user interaction and comprehension due to shared experiences among different societies.
Somayeh Rasoulipour +2 more
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Exploring the image of angels in painting of Qajar period [PDF]
پیکره, 2014 The good and evil issues have always busied the human's mind. The image of angels as the most important symbol of goodness has many applications in the literature on the mythologic, epic, religious and vulgar subjects before and after Islam.
Naghmeh Safarzadeh, Bahram Ahmadi
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The art object does not embody a form of knowledge [PDF]
, 2002 This paper makes explicit the claim that the proper goal of visual arts research is visual art. This claim is consistent with the view held by many scholars in the visual arts community, who see art as a form of research (cf. K. Macleod and L. Holdridge,
Scrivener, Stephen
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