Results 201 to 210 of about 142,715 (259)
Advanced Materials Technologies, EarlyView.Printed organic thermoelectric generators (OTEGs) enable flexible and sustainable energy harvesting from low‐grade heat. This Perspective critically assesses recent advances in printable thermoelectric materials, 2D and 3D device architectures, and current performance limits of printed OTEGs.
Vijitha Ignatious +5 more
wiley +1 more source
Degradation Mechanisms in PEM Water Electrolysis: Diagnosis and Impact
Advanced Materials Technologies, EarlyView.This review provides an analysis of degradation mechanisms in proton electrolyte membrane water electrolyzers (PEMWE), focusing on all key components. It discusses diagnostic and measurement techniques for evaluating degradation, less‐studied mechanisms, and an expert survey.
Annik Bernhardt +11 more
wiley +1 more source
Advanced Materials Technologies, EarlyView.A methodological framework is presented for combinatorial REBCO thin films fabricated by drop‐on‐demand inkjet printing with controlled Rare Earth composition gradients. Automated, synchrotron‐based, and local characterization techniques produce comprehensive property maps that correlate composition and TLAG process parameters with superconducting ...
Emma Ghiara +15 more
wiley +1 more source
Advanced Materials Technologies, EarlyView.An in situ electroplating approach for MEX 3D printing is proposed, enabling copper deposition during the fabrication of conductive polymers. The method combines a printer‐integrated plating head, ML‐based g‐code control, and stop‐and‐go printing, achieving near‐bulk copper conductivity and enabling fully embedded, assembly‐free electronic components ...
Gianluca Percoco +5 more
wiley +1 more source
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Museum International, 1948
Katherine Kuh was Curator of the Gallery of Art interpretation and Associate Curator of Painting and Sculpture at the Art Institute of Chicago. Editor of the Institute’s quarterly publication, The Bulletin.
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Katherine Kuh was Curator of the Gallery of Art interpretation and Associate Curator of Painting and Sculpture at the Art Institute of Chicago. Editor of the Institute’s quarterly publication, The Bulletin.
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2023
AbstractA literature survey of spiritual masters and their early temple-residences and extinct gyal khars indicate the impermanence of wall paintings they housed. Yet the techniques of preparing base-coat plaster and palletes of mineral and organic colours for frescoes lasted long. Some plant-based colours are common to both painting and fabric or yarn
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AbstractA literature survey of spiritual masters and their early temple-residences and extinct gyal khars indicate the impermanence of wall paintings they housed. Yet the techniques of preparing base-coat plaster and palletes of mineral and organic colours for frescoes lasted long. Some plant-based colours are common to both painting and fabric or yarn
openaire +1 more source
2020
AbstractVisual art shows the ancient interest in motion palpably, and helps in perceiving both differences between depictions in art and literature and aspects they have in common. Mostly well-known works of art are chosen for detailed discussion. A Corinthian arbyallos shows leaping in a dance as an action admired in itself; a Boeotian skyphos gives a
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AbstractVisual art shows the ancient interest in motion palpably, and helps in perceiving both differences between depictions in art and literature and aspects they have in common. Mostly well-known works of art are chosen for detailed discussion. A Corinthian arbyallos shows leaping in a dance as an action admired in itself; a Boeotian skyphos gives a
openaire +1 more source
2012
Explores the influence of modern art on Hemingway and his writing, particularly Cézanne and the cubists. Discusses Hemingway’s break with the past and tradition as he embraced a sense of modernism in both his life and art, striving always to render truth in his writing as faithfully as the artist does through painting.
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Explores the influence of modern art on Hemingway and his writing, particularly Cézanne and the cubists. Discusses Hemingway’s break with the past and tradition as he embraced a sense of modernism in both his life and art, striving always to render truth in his writing as faithfully as the artist does through painting.
openaire +2 more sources