Matilda of Tuscany-Canossa: Commemorating the 9th Centennial of the Great Countess, IV
Storicamente, 2017 Valerie Eads +6 more
doaj +1 more source
ICCV23 Visual-Dialog Emotion Explanation Challenge: SEU_309 Team Technical Report [PDF]
arXivThe Visual-Dialog Based Emotion Explanation Generation Challenge focuses on generating emotion explanations through visual-dialog interactions in art discussions. Our approach combines state-of-the-art multi-modal models, including Language Model (LM) and Large Vision Language Model (LVLM), to achieve superior performance.
arxiv
Jen Stauber Francis, LEED AP (BD+C), CPRP / Master of Architecture / Master of Urban Design, 2006 [PDF]
, 2014 Shifting Scales | Renaissance of a Park System | Parks Comprehensive Planner, Urban Designer & Project Manager, 2011-2014 With a population of 42,000, Burlington Vermont’s system of parks, trails, and open/recreation spaces serve myriad roles for the ...
Sam Fox School of Design and Visual Arts
core +1 more source
The Impact of Including Carbonyl Iron Particles on the Melt Electrowriting Process
Macromolecular Materials and Engineering, Volume 307, Issue 12, December 2022., 2022 For the first time, iron particles are included within a biomaterial ink for melt electrowriting. Using poly(vinylidene difluoride), carbonyl iron particles can be increased to 15 wt% with minimal effects on the melt electrowriting process. This allows manipulation of the resulting scaffolds using external magnets.
Juliane C. Kade +6 more
wiley +1 more source
Becoming articulate: women writing on the visual arts in Renaissance Italy
, 1970 Mary Rogers
openalex +1 more source
Border Crossings: Recent Scholarship on French Literature and the Visual Arts [PDF]
, 2004 CAROLE KRUGER
openalex +1 more source
Towards a Model of Color Reproduction Difference
Color Research &Application, EarlyView.ABSTRACT It is difficult to predict the visual difference between cross‐media color reproductions. Typically, visual difference occurs due to the limitations of each output medium's color gamut, the difference in substrate colors, and the gamut mapping operations used to transform the source material.
Gregory High, Peter Nussbaum, Phil Green
wiley +1 more source
Janet Hurwitz, AIA, Owner/Princiapl JHA-Architects / BA72, M.Arch75, MSW75 [PDF]
, 2014 Private Art Gallery | JHA-Architects, Project Architect | Design through Construction Administration, Completed 2012 Located on a 50 acre property in New England, the Gallery was built to house the owners’ art collection.
Sam Fox School of Design and Visual Arts
core +1 more source
Unveiling the Materiality of 19th Century's Color Spaces
Color Research &Application, EarlyView.ABSTRACT Several color theories flourished during the 19th century, marked by experiments on the distinction between color‐light and color‐matter. This study aims to compare the color plates designed to illustrate three of these color theories, namely M.E. Chevreul's chromatic circle (1861), O. Rood's frontispiece (1879), and C.
Aurore Malmert +3 more
wiley +1 more source
Seung-Jin Ham / Bachelor of Arts in Architecture, 2007 [PDF]
, 2014 Temporal Verticality | Disaster Relief Transitional Shelters for Haiti | Master of Architecture Thesis Project, Spring 2012 Transitional shelters are rapid, post-disaster household shelters made from materials that can be upgraded or reused in more ...
Sam Fox School of Design and Visual Arts
core +1 more source