Results 111 to 120 of about 2,446,284 (332)

Language, poetry and visual poetry

open access: yes, 2018
Bu tebliğde dil-şiir ilişkisini ve bu bağlamda görsel şiirin imkânını tartışıyorum. Dil bir bildirişim aracı olarak tanımlana gelmiştir. Bildirişim dilin mantıksal ayrımından ziyade onun üst cinsidir. Çünkü hayvanlar da birbiriyle tam bir bildirişim icra
Türker, Habip
core  

Embodied Words. Concrete & Visual Poetry in Italy and Belgium in the 60s and 70s (International Symposium. Italian Cultural Institute of Brussels. May 24-25, 2018) [PDF]

open access: yes, 2018
International Symposium: "Embodied Words. Concrete and Visual Poetry in Italy and Belgium in the 60s and 70s," Italian Cultural Institute, Brussels May 24 – 25, 2018.
Colucci, Dalila, Minuto, Maria Elena
core  

Reconstructing Old Chinese *‐ts Using Han‐Time Material

open access: yesTransactions of the Philological Society, EarlyView.
Abstract Baxter & Sagart (2014b) reconstruct *‐Vt‐s on the basis of Middle Chinese reflexes in ‐jH (from some OC *‐s) coupled with either etymological or graphic connections to words in Middle Chinese ‐t. This approach, while perfectly sound, can suffer from lack of etymological or graphic data, leading to missed reconstructions. Since Old Chinese *‐ts
Julien Baley
wiley   +1 more source

Animating words: visualizing William Blake’s “A Poison Tree” through the visual and textual elements of kinetic poetry

open access: yesInsights into Language, Culture and Communication
This study applies the visual elements of kinetic poetry to William Blake's poem A Poison Tree. Kinetic poetry, characterized by the seamless integration of visual and verbal elements, transcends traditional static forms, integrating various visual ...
Haneen Ayman   +3 more
doaj   +1 more source

Visual associations of celestial elements and animals in Zolāli Khānsāri’s poetry [PDF]

open access: yesمطالعات زبانی و بلاغی
Celestial elements and animals are among the most frequent phenomena in the poetry of Zolāli Khānsāri, each of which can individually represent a central image or together create a set of visual associations in combination. Accordingly, the present study
Somayyeh mazharisefat   +2 more
doaj   +1 more source

‘Let's Turn the Grass Into Meat’: Animal Husbandry as Women's Work in Cold War North Korea

open access: yesGender &History, EarlyView.
ABSTRACT In postcolonial North Korea, the future of the nation was said to be a function of the feedlot. Unobtainable on the battlefields of the recently ended Korean War, liberation and unification of the peninsula became a question of competitive developmentalism.
Sunho Ko, Derek J. Kramer
wiley   +1 more source

Senso e funzioni della fotografia nella poesia verbo-visiva

open access: yesCoSMO, 2019
The essay analyses the essential role of photography in Visual Poetry experimentation, with specific reference to the European context. It aims to exemplify the complexity and aesthetic relevance of this kind of works within the twentieth-century ...
Federico Fastelli
doaj   +1 more source

Visual poetry of Ukrainian-Canadian émigré literature

open access: yes, 2020
I. Nakashydze: ORCID 0000-0003-3990-6718EN: Visual poetry is the original rather modern part of the poetic art that is the synthesis of literature and fine arts.
Nakashydze, Iryna S., I. S. Nakashydze
core   +1 more source

The First World War at Sea: Death, Commemoration and Cultural Remembrance

open access: yesHistory, EarlyView.
Abstract Despite the ever‐increasing body of work devoted to war memorials, national days of remembrance and the commemoration of the First World War in Britain, academic focus remains firmly on the commemoration of the First World War on land. Yet, while the number of people who died at sea paled in comparison to their counterparts on the battlefield ...
ROWAN THOMPSON
wiley   +1 more source

VISUAL POETRY AS LITERARY PHENOMENON OF INTERMEDIALITY

open access: yesВестник Кемеровского государственного университета, 2013
Active integration of intermedia literary technique results in a paradigm shift as well as in poet’s intention to overcome traditional forms and genres and represent the message by means of other semiotic signs.
E. S. Anikeeva
doaj  

Home - About - Disclaimer - Privacy