Results 11 to 20 of about 2,448 (238)
Video Analysis of Voice-Related Movements and Bodily Effort in Dhrupad Vocal Improvisation [PDF]
This paper explores the correlation between body movements and the voice in Hindustani Dhrupad vocal improvisation. It focuses on the effort exerted by singers during manual interactions with imaginary objects (MIIOs) they are often observed executing ...
Stella Paschalidou, Martin Clayton
doaj +3 more sources
Choose your own adventure: Vocal jazz improvisation, conceptual metaphor, and cognitive embodiment [PDF]
Creativity in the form of musical improvisation has received growing attention from researchers informed by the literature on embodiment. To date, this research has focused on the embodied experiences of improvising instrumentalists rather than those of ...
Melissa Forbes, Kate Cantrell
semanticscholar +2 more sources
Vocal Improvisation in Rock Music
Мета роботи – висвітлити особливості вокальної імпровізації в рок-музиці. Охарактеризовано історико-теоретичні аспекти проблеми дослідження, проаналізовано творчість відомих рок-співаків, вокальна імпровізація яких стала невід’ємною часткою їхньої музичної діяльності. Для реалізації поставленої мети використано комплекс методів, а саме: загальнонаукові
Yuan Sun
semanticscholar +4 more sources
INTERACTION OF INTERPRETATION AND IMPROVISATION IN JAZZ VOCAL PERFORMANCE
Мета статті – дослідити різні трактування понять «імпровізація» та «інтерпретація», що зустрічаються у сучасній науці, виявити найбільш відповідні визначення цих понять, які розкривають специфіку джазового виконавства і визначити взаємозв'язок цих двох понять.
Sergiy Gorovoy +2 more
semanticscholar +6 more sources
Jazz improvisation: Achieving a high aesthetic level during vocal education
Jazz vocal improvisation remains insufficiently studied in pedagogical contexts, despite its central role in the aesthetic outcomes of performance. This study investigated parametric correlations between improvisational components and aesthetic achievements within cross-cultural contexts of vocal education.
Ke Wang
semanticscholar +3 more sources
On Ornamentation and Improvisation in Baroque Vocal Performance
The rapid revival of baroque music in Russia places ever higher demands on singers regarding a historically grounded style of performance. This is manifested not only in the content of vocal and technical equipment (implying the presence of flexibility of the vocal apparatus, possession of a wide cantilena and light coloratura fluency), but also in ...
Elena L. Kruglova
openaire +2 more sources
Automatic Accompaniment to Arab Vocal Improvisation: From Technical to Commercial Perspectives
In this multidisciplinary study, the main research question was how to improve the value of entrepreneurial initiatives that provide the web service of automatic accompaniment to Arab singing. As an example and case study, we considered the Mawaweel website that offered an automatic accompaniment to Arab vocal improvisation as a main service. After
Fadi M. Al-Ghawanmeh, Zaid R. Shannak
openaire +3 more sources
Improvisation and imitation in jazz vocal training
В рамках данной статьи автор поднимает проблему импровизации и подражания в обучении джазовому вокалу. Целью статьи является понимание сущности импровизации и подражания в образовательном процессе по направлению «эстрадно-джазовый вокал». Для достижения указанной цели автор последовательно решает несколько задач.
Чжэнфан Лю
openaire +2 more sources
While improvising follows the same rules for singers, as well as instrumentalists, there are a few aspects that are to be taken into consideration when improvising in different genres as a jazz singer. The uniqueness of the instrument itself, with no comparison with any other instrument or voice, requires a personalized approach in accompanying a ...
Luiza Zan, S. Dragulin
openaire +2 more sources
TEACHING JAZZ IMPROVISATION TO A FUTURE VOCAL ARTIST: ITS ESSENCE AND SPECIFICS
The issues of teaching jazz improvisation to future vocal artists, especially theoretical and methodological aspects of their professional development in institutions of higher art education, have not been sufficiently studied. The matters of the essence and specifics of pop and jazz art, expressive means of improvisational mastery in vocal performance,
V. Myroshnychenko
openaire +3 more sources

