Shared flow and emotional synchrony through group instrumental improvisation: a feasibility study of music-based social connection [PDF]
Frontiers in PsychiatryThis feasibility and pilot study explored how group instrumental improvisation may foster emotional synchrony and shared flow, constructs linked with trust, bonding, and psychological well-being, and its therapeutic potential in mental health settings ...
Edward A. Roth
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Melodic bridges: music intervention as a catalyst for social skills development in preschool children with autism [PDF]
Frontiers in PsychologyAutism spectrum disorder (ASD) is characterized by persistent challenges in social communication, emotional regulation, and cooperative behavior. While traditional behavioral therapies are widely used, they can lack engagement and flexibility.
Jinjin Yang, Runyi Zhang
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Intervention for minimizing the risk of drop-out in music school pupils—an exploratory study [PDF]
Frontiers in PsychologyThis exploratory study examined an intervention aimed at supporting music school pupils’ motivation and explored its potential relevance for dropout prevention.
Ana Kavčič Pucihar +3 more
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MUSICAL SCALES, A COMPLETE GUIDE TO INSTRUMENTAL TECHNIQUE AND IMPROVISATION
Pensamiento Palabra y Obra, 2015 Este artículo presenta la publicación del libro Escalas musicales: guía completa hacia la técnica instrumental y la improvisación. El libro tiene quince capítulos, con la siguiente categorización: “Pentatónicas”, “Hexatónicas”, “Heptatónicas tonales ...
Alfredo Enrique Ardila +1 more
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Explizite und implizite Regeln der modalen Solo-Improvisation in iranischer Musik. Eine vergleichende Analyse [PDF]
Zeitschrift der Gesellschaft für Musiktheorie, 2021 Dieser Artikel untersucht die kreativen Prozesse in der freien modalen Solo-Improvisation in iranischer klassischer Musik mithilfe eines analytisch-vergleichenden Ansatzes.
Davoud Tavousi
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Klasik Türk Müziğinde Doğaçlama
İslami İlimler Dergisi, 2022 Doğaçlama formu görsel, işitsel sanatların en önemli unsurlarından biri olarak karşımıza çıkmaktadır. Kültürlerin hemen hemen hepsinde doğaçlama formuna rastlıyoruz. Doğaçlama formu değişik şekillerde her ne kadar Avrupa müziklerinde 19.
Ubeydullah Sezikli, Ahmet Erdogdular
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Improvising design with a Haptic Instrument [PDF]
2014 IEEE Haptics Symposium (HAPTICS), 2014 As the need to deploy informative, expressive haptic phenomena in consumer devices gains momentum, the inadequacy of current design tools is becoming more critically obstructive. Current tools do not support collaboration or serendipitous exploration. Collaboration is critical, but direct means of sharing haptic sensations are limited, and the absence ...
Oliver S. Schneider, Karon E. MacLean
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Constraint-Based Sound-Motion Objects in Music Performance
Frontiers in Psychology, 2021 The aim of this paper is to present principles of constraint-based sound-motion objects in music performance. Sound-motion objects are multimodal fragments of combined sound and sound-producing body motion, usually in the duration range of just a few ...
Rolf Inge Godøy, Rolf Inge Godøy
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EEG Correlates of Middle Eastern Music Improvisations on the Ney Instrument [PDF]
Frontiers in Psychology, 2021 The cognitive sciences have witnessed a growing interest in cognitive and neural basis of human creativity. Music improvisations constitute an ideal paradigm to study creativity, but the underlying cognitive processes remain poorly understood. In addition, studies on music improvisations using scales other than the major and minor chords are scarce ...
Mohammad Yaghmour +6 more
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Improvvisa azione. Come può un agire improvviso essere razionale?
Itinera, 2015 To improvise means to be prepared for the unexpected, but since the unexpected is unforeseeable, we cannot be (fully) prepared. What is that status of this kind of knowledge?
Davide Sparti
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