Results 21 to 30 of about 1,052 (253)
The composition XO pt. II for flute with processors, amplified cello, amplified piano and analog sound synthesizers, by Dino Rešidbegović, was published in 2016 as an electroacoustic adaptation of its previous version, XO for undetermined instrumentation.
Hanan Hadžajlić
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Formulaic Variation Procedures in Mande Griot (Jeli) Guitar Playing and Improvisation [PDF]
In this article, I examine the extensive use of formulas in the guitar playing and improvisation of Mande griots, who are hereditary professional musicians of West Africa. Based upon five years of research as a close participant-observer of griots in New
Racanelli, David
doaj
Artikkelen beskriver utvalgte faktorer knyttet til bruk av komponering og improvisasjon i instrumentalundervisning på kulturskolene i Norge i lys av utvikling av grunnleggende musikalsk forståelse.
Julia Leikvoll
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Instrument de/reconstruction as a Feministing Practice
This article discusses the impact of instrumental and intellectual virtuosity on British Free Improvisation (BFI) from a feminist perspective. I argue that its pursuit may have contributed to the development of this genre as a masculine stronghold in ...
Maureen Wolloshin, Khabat Abas
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Rethinking Support Allocation: Mental Health and Patterns of Homelessness Support Utilisation
ABSTRACT Homelessness support agencies face substantial puzzles in allocating scarce resources: who gets access and who stays on the waitlist? This paper examines the influence of mental illness on the patterns of consuming non‐clinical homelessness support by persons experiencing homelessness and at risk.
Godwin Kavaarpuo, Kathryn Daley
wiley +1 more source
RHAPSODY FOR VIOLIN, CELLO AND PIANO BY COMPOSER LIVIU STIRBU IN THE CONTEXT OF ASSIMILATION OF STYLE AND GENRE PECULIARITIES OF MASS MUSIC CULTURE [PDF]
The composition creation of Liviu Stirbu is an example of organic interaction of the idioms of music of European professional tradition, national folklore as well as mass musical culture.
PLESCAN, IRINA, VICTORIA TCACENCO
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Improvisation and the Unnameable: On Being Instrumental
This editorial frames the problem of improvisation as both an embodied social practice and an "unthinkable" event-horizon of the possible. If this observation approximates a truth about improvisation, we may well ask, how musical improvisation in the forms it has taken in the last century, aligns with other social practices in which similarly high ...
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ABSTRACT Participatory approaches such as inclusive research and co‐production are recognised as best practice in disability research and service design. These approaches promote inclusion and improve the relevance, quality, and impact of research and services.
Jacinta Oakley, Em Bould, Natasha Layton
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Exploration and Improvisation: The Use of Creative Strategies in Instrumental Teaching
In music lessons there are still predisposition to adopt some educational practices, where the teaching is still centered in the teacher, and the student is there to “imitate” and learn the music exercises brought into class. By doing so the teacher is neglecting the student musical development as there is a unidirectional skill transfer, and the ...
Moreira, Lídia, Carvalho, Sara
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The quality of interaction with children in collective play: Children's agency
Abstract There is a growing body of studies on increasing the quality of infant–toddler education and care. Yet little attention has been directed towards how to bring toddlers' agency and perspective to their personally meaningful learning in collective play.
Liang Li
wiley +1 more source

