Results 11 to 20 of about 1,047 (254)

Shamanistic ritual ceremony and accompanying music as the worldview basis of traditional culture

open access: yesConservation Science in Cultural Heritage, 2023
This article is a comprehensive study of shamanic ritual music in syncretic unity with ritual rite, which is inextricably linked with an ethnic worldview.
Ainur Mashimbaуeva   +5 more
doaj   +1 more source

The Relation between Pedagogical Approaches in Music Education and Students̕ Performance Anxiety [PDF]

open access: yesRevija za Elementarno Izobraževanje, 2018
.Performance anxiety is a significant problem in general education, as well as in music education. Therefore, the purpose of this study is to determine whether the Functional Music Pedagogy (FMP) approach has a significant effect on music performance ...
Blaženka Bačlija Susić
doaj   +1 more source

Priming creativity through improvisation on an adaptive musical instrument [PDF]

open access: yesProceedings of the 9th ACM Conference on Creativity & Cognition, 2013
Creativity is a crucial skill in today's knowledge economy, and creativity support tools are a valuable and important area of human-computer interaction research. Passive affective priming has been shown to be an effective means for enhancing creativity.
Garth Griffin, Robert J. K. Jacob
openaire   +1 more source

VS : Improvisation with Automated Interactive Instruments

open access: yes, 2023
In this performance, two guitar players improvise using electro-acoustic guitars equipped with actuators that can hit each of the strings. By moving through virtual shapes placed around them with their guitars and bodies, they can control the actuators.
Beaumont, Sebastien   +3 more
openaire   +1 more source

Instruments and Sounds as Objects of Improvisation in Collective Computer Music Practice [PDF]

open access: yes, 2021
Collective forms of improvisation are at the heart of numerous creative processes today, in a vast range of cultures, practises and artistic disciplines, each one bearing its own definitions, traditions and customs. In this contribution, we raise the question of collective sound improvisation involving digital technologies on two levels: first, by ...
Villeneuve, Jerome   +2 more
openaire   +2 more sources

Kölcsönhatások

open access: yesStudia Universitatis Babeş-Bolyai. Theologia Reformata Transylvanica, 2019
Interactions. Music is a very special gift from God. In my opinion, it flows through the inner world of the composer and then it is shared with others through both written, and performed forms.
Zsolt GÁRDONYI
doaj   +1 more source

Dynamic Interplay in Clinical Improvisation

open access: yesVoices, 2002
I would like to begin by examining the title, since this will clarify the theoretical framework within which this paper will develop. Chambers Dictionary (1988) defines dynamic as relating to force; activity or things in motion; forms or patterns of ...
Mercédès Pavlicevic
doaj   +1 more source

Verktygsrelaterad flexibilitet som undervisningskompetens

open access: yesEducare, 2021
In the current debate concerning the Swedish Schools of Music and Performing Arts (SMPAs) the concept of flexibility is frequently used. Here it mostly describes the necessity to take students’ requests and needs into account in teacher education and ...
Cecilia Charlotta Frostenson Lööv   +1 more
doaj   +1 more source

User privacy prevention model using supervised federated learning‐based block chain approach for internet of Medical Things

open access: yesCAAI Transactions on Intelligence Technology, EarlyView., 2023
Abstract This research focuses on addressing the privacy issues in healthcare advancement monitoring with the rapid establishment of the decentralised communication system in the Internet of Medical Things (IoMT). An integrated blockchain homomorphic encryption standard with an in‐build supervised learning‐based smart contract is designed to improvise ...
Chandramohan Dhasarathan   +7 more
wiley   +1 more source

Composition-Interpretation-Improvisation Processes in XO pt. II by Dino Rešidbegović: Comparative Analysis of two Interpretations

open access: yesINSAM, 2018
The composition XO pt. II for flute with processors, amplified cello, amplified piano and analog sound synthesizers, by Dino Rešidbegović, was published in 2016 as an electroacoustic adaptation of its previous version, XO for undetermined instrumentation.
Hanan Hadžajlić
doaj   +1 more source

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