Results 21 to 30 of about 695 (191)
Improvisation: Performer as Co-composer
Musical Offerings, 2012 Elements of musical improvisation have been present throughout the medieval, renaissance, and baroque eras, however, improvisation had the most profound recorded presence in the baroque era. Improvisation is inherently a living practice and leaves little
Kyle Schick
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Methodical guidelines for the use of ICT in teaching contemporary vocals in children schools of art
Ukrainian Journal of Educational Studies and Information Technology, 2018 The article states that the reform of contemporary vocal education based on the principles of civilization integration of different, sometimes quite distant from each other, musical cultures, traditions and practices on the one hand, and the necessity ...
Тетяна Олександрівна Кулага
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Voices, 2019 Informed by personal experiences, my queer autoethnographic research, and literature from the fields of speech-language pathology, vocal pedagogy, and music therapy, I offer an introduction to Gender Affirming Voicework in music therapy, the training ...
Maevon Gumble
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Methods of developing artistic empathy of future Music teachers in the process of vocal training
Науковий Вісник Південноукраїнського Національного Педагогічного Університету імені К. Д. Ушинського, 2020 The article substantiates the essence, content and method of developing artistic empathy. The purpose of the article is to substantiate the methods of vocal training that are effective in developing the artistic empathy of the future Music teachers.
Hudz Olena
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Shared songs are of lower performance in the dark-eyed junco [PDF]
Royal Society Open Science, 2016 Social learning enables the adjustment of behaviour to complex social and ecological tasks, and underlies cultural traditions. Understanding when animals use social learning versus other forms of behavioural development can help explain the dynamics of ...
Gonçalo C. Cardoso +1 more
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Choose your own adventure: Vocal jazz improvisation, conceptual metaphor, and cognitive embodiment
Musicae Scientiae, 2021 Creativity in the form of musical improvisation has received growing attention from researchers informed by the literature on embodiment. To date, this research has focused on the embodied experiences of improvising instrumentalists rather than those of improvising singers.
Melissa Forbes, Kate Cantrell
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On Ornamentation and Improvisation in Baroque Vocal Performance
PHILHARMONICA. International Music Journal, 2022 The rapid revival of baroque music in Russia places ever higher demands on singers regarding a historically grounded style of performance. This is manifested not only in the content of vocal and technical equipment (implying the presence of flexibility of the vocal apparatus, possession of a wide cantilena and light coloratura fluency), but also in ...
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All the bedrooms a stage: Reconceptualizing sex as “performance” to sex as “rehearsal”
Feminist Anthropology, EarlyView.Abstract In the United States, sex is often spoken about in terms of performance, and naturally invokes language of theatricality. Sexual performance has been used as an umbrella term to refer to sexual satisfaction, behavior, embodiment, and also pathology in terms of conditions such as erectile dysfunction.
Taylor Harmon
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Making care audible: Musical gifts and affective reciprocity in the clinic
Feminist Anthropology, EarlyView.Abstract In clinical settings, music therapy is frequently received as a gift—a voluntary offering that invites but does not demand participation. Drawing on ethnographic research with music therapists and patients in Canadian and American hospitals, this article examines how clinical care is co‐constituted through practices of giving, receiving, and ...
Meredith Evans
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Acting authentically: Using play to cultivate authentic interrelating in role performance
Journal of Organizational Behavior, EarlyView.Summary Research is increasingly demonstrating that authenticity and human connection are fundamental and interrelated human needs. However, organizational roles often constrain authenticity and connection in workplace interactions, especially roles that are highly scripted.
Lyndon E. Garrett
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