Results 191 to 200 of about 622,921 (259)

Instrumentation in Voice Assessment and Treatment

American Journal of Speech-Language Pathology, 1997
Sophisticated, computer-based instrumentation has become increasingly available to the voice clinician. Yet substantial questions remain regarding its clinical necessity and usefulness. A theoretical model based on the scientific method is developed as a framework that can be used to guide the clinician in the selection and application of instrumental ...
Alison Behrman, Robert F. Orlikoff
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Exploring the Work-Life Spillover of Voice Practices: The Role of Voice Instrumentality in Improving the Quality of Employees’ Lives

Applied Research in Quality of Life, 2023
Jeong Won Lee
semanticscholar   +1 more source

Untold Verses: The Paradox of Expression and Quietude in In Custody

Journal of Foreign Languages Cultures and Civilizations
The present study explores the mystery of voice and silence in Anita Desai’s In Custody, and examines the state of education and linguistic deterioration during postcolonial India.
S. Gnanaraj, Mohan. K
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Generating synthesized voice and instrumental sound

The Journal of the Acoustical Society of America, 2004
There is provided a synthesized sound generating apparatus and method which can achieve responsive and high-quality speech synthesis based on a real-time convolution operation. Coefficients are generated by using dynamic cutting to extract characteristic information from a first signal.
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Describing voice quality: Transcription and instrumentation

Logopedics Phoniatrics Vocology, 1996
In this paper is discussed what areas of phonetic description of normal and disordered voice quality should be included on a Speech Language Pathology training course. The problems involved in using auditory impressionistic labelling are noted, and it is argued that descriptions based on articulatory settings avoid many of these.
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Voice as Instrument: Performance Poets in Conversation

Journal of Sonic Studies, 2023
This videoed conversation with two young spoken word artists, Ryan Sinclair and Sipho Ndlovu, took place in Autumn 2022 and explored their motivations to pursue what many would view currently as a precarious career in the creative and cultural industries. The project was prompted by findings from a doctoral research study undertaken by Jill Robinson in
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Impression management motive and voice: Moderating effects of self-monitoring, self-efficacy, and voice instrumentality

, 2015
B. Choi, H. Moon, Jae Uk Chun
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Instrumentality as Distributed, Interpersonal, and Self-Agential: Aesthetic Implications of an Instrumental Assemblage and Its Fortuitous Voice

, 2017
Deniz Peters
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Three Voices for voices, woodwind, percussion, and string instruments

Composed for soprano, tenor, and baritone voices, woodwind, percussion, and string instruments, Three Voices is a polyglotic work that includes German, Chinese, and Spanish texts. The texts are chosen from Brecht Bertolt's Das Schiff, Po Chu I's Lang T'ao Sha, and Frederico Garcia Lorcá's Mar.
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Voice and Instrument

2021
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