Results 61 to 70 of about 320,626 (301)

PRISMS: remote high resolution in situ multispectral imaging of wall paintings [PDF]

open access: yes, 2008
The non-invasive monitoring and examination of wall paintings in grotto sites, tombs and buildings is particularly important since these paintings are often extremely vulnerable. Traditionally, inspection of wall paintings at high resolution (i.e.
Keita, K, Liang, H, Vajzovic, T
core  

The interior as architectural principle [PDF]

open access: yes, 2017
The principle of architecture is the creation of an “inside” or an interior. There are three layers of meaning involved in isolating and defining a space as an “inside”: the floor/earth, the wall/world, the ceiling/heavens.
Verschaffel, Bart
core   +1 more source

Process‐Informed Analysis of As‐Built Metal Additive Surface Features

open access: yesAdvanced Engineering Materials, EarlyView.
This article introduces a novel method for feature‐based surface texture characterisation directly incorporating manufacturing variables into the feature extraction workflow. This marks a major step towards identifying process‐specific surface properties and their influence on part function and hence a holistic understanding of process–structure ...
Theresa Buchenau   +5 more
wiley   +1 more source

To retouch or not to retouch?  – Reflections on the aesthetic completion of wall paintings

open access: yesCeROArt : Conservation, Exposition, Restauration d'Objets d'Art, 2015
Decision-making regarding the aesthetic treatment of wall paintings can be a difficult and complex process due to the multifaceted issues that influence the choices.
Isabelle Brajer
doaj   +1 more source

Introduction : photography between art history and philosophy [PDF]

open access: yes, 2012
The essays collected in this special issue of Critical Inquiry are devoted to reflection on the shifts in photographically based art practice, exhibition, and reception in recent years and to the changes brought about by these shifts in our ...
Costello, Diarmuid, Iversen, Margaret
core   +1 more source

On the Lightweight Potential of Laser Additive Manufactured NiTi Triply Periodic Minimal Sheet Lattices

open access: yesAdvanced Engineering Materials, EarlyView.
This study explores the lightweight potential of laser additive‐manufactured NiTi triply periodic minimal surface sheet lattices. It systematically investigates the effects of relative density and unit cell size on surface quality, deformation recovery, compression behavior, and energy absorption.
Haoming Mo   +3 more
wiley   +1 more source

Planning Preservation In Pompeii: Revising Wall Painting Conservation Method And Management [PDF]

open access: yes, 2013
The management of Pompeii’s focus on excavation and tourism has caused its wall art to fall into disrepair, but a new focus on efficiency and sustainable practice has the potential to relieve the emergency of Pompeii’s restoration work. Hasty excavations,
Wollner, Jennifer L
core   +1 more source

Laser Powder Bed Fusion of Copper–Tungsten Composites for Heat Sink Applications in High‐Power Electronics

open access: yesAdvanced Engineering Materials, EarlyView.
This article demonstrates the successful qualification of a copper–tungsten composite for laser powder bed fusion. The resulting components exhibited high density, high thermal conductivity, and reduced thermal expansion. Heat sinks with complex geometries were successfully manufactured, clearly showcasing the material's potential for additive ...
Simon Rauh   +6 more
wiley   +1 more source

Speak Softly but Carry a Big Can of Paint - Banksy, Wall and Piece: Street Art as Radical Political Activism [PDF]

open access: yes, 2011
The English street artist Banksy best describes the power of street art as radical activism through his assertion in his 2003 collection, Banging Yallr Head Against a Brick Wall, that [ It] is one of the few tools you have if you have almost nothing ...
Booth, Rosemary Reedy
core   +1 more source

Visualising As Imagining Seeing [PDF]

open access: yes, 2011
In this paper, I would like to put forward the claim that, at least in some central cases, visualising consists literally in imagining seeing. The first section of my paper is concerned with a defence of the specific argument for this claim that M. G. F.
Dorsch, Fabian
core   +2 more sources

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