Results 1 to 10 of about 179,503 (189)

Kina na Dolnym Śląsku: rekonesans historyczny [PDF]

open access: yesImages, 2019
The highest level of cinema attendance in Lower Silesia after World War II was recorded in 1957. It was higher than before the war and lower than during the war. In the years that followed it steadily declined, influenced by global processes, especially
Andrzej Dębski Andrzej Dębski
doaj   +3 more sources

‘Improper Practices’ in Great War British Cinemas [PDF]

open access: yes, 2011
in Hammond, M and Williams, (Eds), British Silent Cinema and the Great War (2011), Palgrave Macmillan; reproduced with permission of Palgrave Macmillan. This extract is taken from the author's original manuscript and has not been edited. The definitive, published, version of record is available here: http://www.palgrave.com/products/title.aspx?pid ...
A Field   +4 more
openaire   +5 more sources

The great war and the cinema The great war and the cinema

open access: yesIlha do Desterro, 2008
Aside from documentary films of the First World War, fiction films may be categorized as period films, cinematic aptations of classic war novels, and, much the greatest in number, fiction films made after the war.
Tom Burns
doaj   +7 more sources

Эволюция военно-исторического романа в российской фантастике 2010-гг. и генезис локального жанра „попаданцы на ВОВ” [PDF]

open access: yesInternational Journal of Slavic Studies, 2020
War cinema occupies a special place in the structure of cinematography. Its specificity lies in the subject matter itself, which is the basis of the plot, idea, expression, namely war. Modern cinema with its advanced technical means with the ability to
Александр Михайлович Лобин
doaj   +1 more source

Воєнне кіно в об’єктиві Дельозіанської часової тріади: Війна як пам'ять, подія та образ [PDF]

open access: yesInternational Journal of Slavic Studies, 2020
War cinema occupies a special place in the structure of cinematography. Its specificity lies in the subject matter itself, which is the basis of the plot, idea, expression, namely war. Modern cinema with its advanced technical means with the ability to
Катерина Сергіївна Гончаренко
doaj   +1 more source

The International Restructuring of Post-War Lebanese Cinema. Between the Diaspora’s Legacy and the Transnational Circulations of Films

open access: yesBiens Symboliques, 2023
The generation of filmmakers who reached maturity after the Lebanese Civil War faced a devastated cinema landscape. Still, drawing on the legacy of the previous period, which had already been characterized by extensive internationalization, these artists
Thomas Richard
doaj   +1 more source

Le cinéma libanais d’après-guerre recomposé par le rapport à l’international. Entre héritage diasporique et insertion dans les circulations transnationales du film

open access: yesBiens Symboliques, 2023
The generation of filmmakers who reached maturity after the Lebanese Civil War faced a devastated cinema landscape. Still, drawing on the legacy of the previous period, which had already been characterized by extensive internationalization, these artists
Thomas Richard
doaj   +1 more source

Slow Steps: The Institutional Development of Slovak Film From Proto-National to National Film 1939-1950

open access: yesCINEJ Cinema Journal, 2023
From 1939 to 1950, Slovak cinema underwent a massive institutional development, war-related setbacks, and finally became nationalized under the control of the Czechoslovak Ministry of Information.
Nicholas David Hudac
doaj   +1 more source

War of Images: Visual Propaganda Efforts of German and British Governments in Turkey during the Second World War

open access: yesİnsan&İnsan Bilim Kültür Sanat ve Düşünce Dergisi, 2022
The Second World War was not only “the war of bombs and bullets” but also of images and words. Even though Turkey did not enter the war until February 1945, Allied and Axis forces tried to influence the Turkish government and society with propaganda and
Hatice Selen Akçalı Uzunhasan
doaj   +1 more source

The Ottoman Military’s Censorship of Cinema in World War I

open access: yesYakın Dönem Türkiye Araştırmaları, 2023
The main purpose of this study is to examine the Ottoman State’s military censorship practices regarding cinema during World War I. In this respect, the study evaluates inspections of cinema, legal bases of censorship and inspection, censorship ...
Feyza Kurnaz Şahin
doaj   +1 more source

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