Results 31 to 40 of about 236,941 (302)

Malcolm Ross, journalist and photographer: The perfect war correspondent?

open access: yesPacific Journalism Review, 2016
Malcolm Ross was New Zealand’s first official war correspondent and from 1915 until the end of the First World War he provided copy to the New Zealand press.
Alan Cocker
doaj   +1 more source

Targeted modulation of IGFL2‐AS1 reveals its translational potential in cervical adenocarcinoma

open access: yesMolecular Oncology, EarlyView.
Cervical adenocarcinoma patients face worse outcomes than squamous cell carcinoma counterparts despite similar treatment. The identification of IGFL2‐AS1's differential expression provides a molecular basis for distinguishing these histotypes, paving the way for personalized therapies and improved survival in vulnerable populations globally.
Ricardo Cesar Cintra   +6 more
wiley   +1 more source

Immortalizing death on the battlefield: US iconography of war from the American Revolution to the Civil War

open access: yesIperstoria, 2018
Military iconography has always been a crucial aspect in the relationship between consensus and the outcome of US military interventions. A recurrent and elastic visual component of war master narratives is the representation of death on the battlefield,
Nicola Paladin
doaj   +1 more source

Down‐regulation of Shh in the hair follicles of mice during chemotherapy‐induced hair loss is mediated by the JAK/STAT1 signaling pathway

open access: yesFEBS Open Bio, EarlyView.
We found that during chemotherapy‐induced alopecia (CIA), Sonic hedgehog (Shh) expression significantly decreased in hair follicle Shh+ cells, whereas the Janus‐activated kinase/signal transducer and activator of transcription 1 (JAK/STAT1) signaling pathway was markedly activated.
Ruifang Fan   +6 more
wiley   +1 more source

War Museums and Photography

open access: yesMuseum & Society, 2012
The use of photographs in museums can reveal how the perceived transparency of photography and the authority of the museum interact with the subjectivity and the political construction of historical narratives.
Theopisti Stylianou-Lambert   +1 more
doaj  

Peace in every shot: How Kodak changed the way we see war

open access: yesMemory, Mind & Media
Our family album is often the first medium through which we encounter war: nestled in the heart of home life and revisited throughout childhood, its pages intertwine peacetime photos of vacations and gatherings with wartime images featuring smiling ...
Hadas Zahavi
doaj   +1 more source

Eclipsing Aestheticism: Western Landscape Photography After Ansel Adams

open access: yesMiranda: Revue Pluridisciplinaire du Monde Anglophone, 2015
Although Ansel Adams’s (1902-84) photographic legacy remains indisputable in mass culture and among museums and collectors, the nature of that legacy has been in contention among contemporary artists, scholars, and theorists of photography.
Kelly Dennis
doaj   +1 more source

Colville to Goble: Some Thoughts on the Evolving Place of Photography in Canadian Military Art [PDF]

open access: yes, 2017
This article focuses on the photographic work of two Canadian military artists whose careers are separated by half a century. Alex Colville (1920–2013) used photography in his work but rarely mentioned it and never publicly exhibited or acknowledged it ...
Brandon, Laura
core   +1 more source

KLK7 overexpression promotes an aggressive phenotype and facilitates peritoneal dissemination in colorectal cancer cells

open access: yesFEBS Open Bio, EarlyView.
KLK7, a tissue kallikrein‐related peptidase, is elevated in advanced colorectal cancer and associated with shorter survival. High KLK7 levels in ascites correlate with peritoneal metastasis. In mice, KLK7 overexpression increases metastasis. In vitro, KLK7 enhances cancer cell proliferation, migration, adhesion, and spheroid formation, driving ...
Yosr Z. Haffani   +6 more
wiley   +1 more source

Partisan Photography [PDF]

open access: yes, 2007
The paper analyses Spyros Meletzis photography work in the mountains of central Greece during the German occupation in the Second World War. It shows the relations with the ELAS and ELAM and defends that against the appearances his work cannot be seen as
Sánchez Durá, Nicolás
core  

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