Results 31 to 40 of about 759 (151)
The Landscape Perception as Pasemon Artistic in Wayang Kayon Figure
Wayang Kayon filling is often understood as an ornament that is interpreted separately. The fillings are composed in such a way that they interact. The interaction between Wayang Kayon fillings forms landscape perception.
Pandu Pramudita +3 more
doaj +1 more source
Wayang Golek Ringan Pemanfaatan Limbah sebagai Pengembangan Boneka Wayang Golek
Wayang Golek Ringan (Light Marionette Puppet) Waste Utilisation in Developing Wayang golek is a new modification model in making Wayang golek in order to avoid logging.
Trisno Santoso
doaj +1 more source
Kajian Proporsi Wajah Wayang Potehi Perempuan di Gudo, Jombang dengan Proporsi Rasio Emas
The interaction of Nusantara with various nations that has occurred since long ago led to the acculturation of local and immigrant cultures and produced a new culture. One of them is Wayang Potehi which comes from China and develops in Java. The purpose
Hasprita Restiamangastuti Boru Mangunsong +1 more
doaj +1 more source
Pengenalan Tokoh Wayang dalam Cerita Ramayana dengan Menggunakan Media Board Game untuk Masyarakat
Indonesia adalah negara yang memiliki berbagai macam Kebudayaan dan Kesenian. Dari bermacam kebudayaan dan kesenian yang ada, Indonesia juga memiliki berbagai macam Cerita Rakyat. Contohnya di Pulau Jawa.
D.M Teddy Dwistyawan, T. Arie Setiawan
doaj +1 more source
Tulisan ini dimaksudkan untuk menjelaskan pengaruh karawitan sebagai salah satu pendukung utama pergelaran wayang dengan kualitas ekspresi dalang wayang golek Menak Yogyakarta.
Dewanto Sukistono
doaj +1 more source
Wayang is a autentic culture from Indonesia. Wayang has many figure and character.It is main idea of this make the artwork. Inspiration of the artwork also from observation robotforms. Robot has the furious and futuristic form. Like the progression of technologi, form ofrobot also more experiencing form progression.
openaire +3 more sources
An anatomy of worldmaking: Sukarno and anticolonialism from post‐Bandung Indonesia
Abstract This article analyzes the anticolonial worldmaking of postcolonial Indonesia's first president Sukarno, during Guided Democracy (1959–1965). Using worldmaking as a conceptual interface, the article offers three interconnected interventions.
Say Jye Quah
wiley +1 more source
Commissioned by Singapore Art Museum’s public art initiative, The Everyday Museum, Ming Wong’s Wayang Spaceship was first shown at SAM at Tanjong Pagar Distripark in July 2022. Challenging conventional forms of public art, the artwork draws on speculative fiction and Cantonese opera cinema, situated within the context of Southeast Asia, to explore ...
Iskandar, Syaheedah, Tang, Jeannine
openaire +3 more sources
THE WAYANG STORY IN MODERN INDONESIAN FICTIONS (Reviews on Mangunwijaya and Sindhunata’s Novels)
The wayang story is the traditional story which influences toward the writing of modern Indonesian literature. This study is aimed at describing the adoption of aspects of stories in the wayang stories plays in modern Indonesian novels with a focus on ...
Burhan Nurgiyantoro
doaj +1 more source
Encountering (im)probable wit: Religious puns in an Indonesian post‐conflict setting
Abstract This paper analyses religion‐related humour in the post‐conflict setting of the Moluccas, Indonesia, which were haunted by interreligious violence in the late 1990s and early 2000s. It is concerned with religious puns told among Hadhramis, Indonesians of Arab descent, whose ancestors migrated in pre‐colonial and colonial times from the ...
Martin Slama
wiley +1 more source

