Results 31 to 40 of about 759 (151)

The Landscape Perception as Pasemon Artistic in Wayang Kayon Figure

open access: yesMudra: Jurnal Seni Budaya, 2023
Wayang Kayon filling is often understood as an ornament that is interpreted separately. The fillings are composed in such a way that they interact. The interaction between Wayang Kayon fillings forms landscape perception.
Pandu Pramudita   +3 more
doaj   +1 more source

Wayang Golek Ringan Pemanfaatan Limbah sebagai Pengembangan Boneka Wayang Golek

open access: yesGelar: Jurnal Seni Budaya, 2020
Wayang Golek Ringan (Light Marionette Puppet) Waste Utilisation in Developing Wayang golek is a new modification model in making Wayang golek in order to avoid logging.
Trisno Santoso
doaj   +1 more source

Kajian Proporsi Wajah Wayang Potehi Perempuan di Gudo, Jombang dengan Proporsi Rasio Emas

open access: yesGelar: Jurnal Seni Budaya, 2021
The interaction of Nusantara with various  nations that has occurred since long ago led to the acculturation of local and immigrant cultures and produced a new culture. One of them is Wayang Potehi which comes from China and develops in Java. The purpose
Hasprita Restiamangastuti Boru Mangunsong   +1 more
doaj   +1 more source

Pengenalan Tokoh Wayang dalam Cerita Ramayana dengan Menggunakan Media Board Game untuk Masyarakat

open access: yesNirmana, 2019
Indonesia  adalah  negara  yang  memiliki  berbagai  macam  Kebudayaan  dan  Kesenian.  Dari  bermacam kebudayaan dan kesenian yang ada, Indonesia juga memiliki berbagai macam Cerita Rakyat. Contohnya di Pulau Jawa.
D.M Teddy Dwistyawan, T. Arie Setiawan
doaj   +1 more source

Pengaruh Karawitan terhadap Totalitas Ekspresi Dalang dalam Pertunjukan Wayang Golek Menak Yogyakarta

open access: yesResital: Jurnal Seni Pertunjukan, 2014
Tulisan ini dimaksudkan untuk menjelaskan pengaruh karawitan sebagai salah satu pendukung utama pergelaran wayang dengan kualitas ekspresi dalang wayang golek Menak Yogyakarta.
Dewanto Sukistono
doaj   +1 more source

WAYANG KLITHIK ROBOT

open access: yesCORAK, 2014
Wayang is a autentic culture from Indonesia. Wayang has many figure and character.It is main idea of this make the artwork. Inspiration of the artwork also from observation robotforms. Robot has the furious and futuristic form. Like the progression of technologi, form ofrobot also more experiencing form progression.
openaire   +3 more sources

An anatomy of worldmaking: Sukarno and anticolonialism from post‐Bandung Indonesia

open access: yesAmerican Journal of Political Science, Volume 70, Issue 2, Page 571-586, April 2026.
Abstract This article analyzes the anticolonial worldmaking of postcolonial Indonesia's first president Sukarno, during Guided Democracy (1959–1965). Using worldmaking as a conceptual interface, the article offers three interconnected interventions.
Say Jye Quah
wiley   +1 more source

Wayang Spaceship

open access: yes
Commissioned by Singapore Art Museum’s public art initiative, The Everyday Museum, Ming Wong’s Wayang Spaceship was first shown at SAM at Tanjong Pagar Distripark in July 2022. Challenging conventional forms of public art, the artwork draws on speculative fiction and Cantonese opera cinema, situated within the context of Southeast Asia, to explore ...
Iskandar, Syaheedah, Tang, Jeannine
openaire   +3 more sources

THE WAYANG STORY IN MODERN INDONESIAN FICTIONS (Reviews on Mangunwijaya and Sindhunata’s Novels)

open access: yesLitera, 2019
The wayang story is the traditional story which influences toward the writing of modern Indonesian literature. This study is aimed at describing the adoption of  aspects of stories in the wayang stories plays in modern Indonesian novels with a focus on ...
Burhan Nurgiyantoro
doaj   +1 more source

Encountering (im)probable wit: Religious puns in an Indonesian post‐conflict setting

open access: yesThe Australian Journal of Anthropology, Volume 36, Issue 3, Page 556-571, December 2025.
Abstract This paper analyses religion‐related humour in the post‐conflict setting of the Moluccas, Indonesia, which were haunted by interreligious violence in the late 1990s and early 2000s. It is concerned with religious puns told among Hadhramis, Indonesians of Arab descent, whose ancestors migrated in pre‐colonial and colonial times from the ...
Martin Slama
wiley   +1 more source

Home - About - Disclaimer - Privacy