Results 51 to 60 of about 759 (151)

Media Pembelajaran Pengenalan Rupa Dan Karakter Tokoh Wayang Purwa Berbasis Android

open access: yesJurnal Eksplora Informatika, 2016
Wayang purwa merupakan wayang kulit yang membawakan cerita yang bersumber dari kitab Mahabharata dan Ramayana. Tokoh-tokoh yang ada dalam pewayangan tersebut memiliki rupa dan karakter masing-masing.
Candra Ahmadi   +2 more
doaj  

PENINGKATAN MINAT DAN KETERAMPILAN BERCERITA PADA PEMBELAJARAN BAHASA JAWA DENGAN PENGGUNAAN ALAT PERAGA WAYANG KULIT PADA SISWA KELAS VI

open access: yesElementary School, 2019
Abstrak Dalam pembelajaran cerita wayang di kelas VI SDN 2 Mororejo pada semester I tahun pelajaran 2017/2018 siswa yang mendapat nilai 60 ke atas hanya 8 siswa sedang yang 21 siswa mendapat nilai kurang dari 60.
Kumyati .
doaj   +1 more source

Telobella wayang

open access: yes, 2001
Published as part of Suhardjono, Yayuk R. & Deharveng, Louis, 2001, Telobella kemiri, a new species of Lobellini (Collembola: Neanuridae) from Lombok island (Indonesia), pp.
Suhardjono, Yayuk R., Deharveng, Louis
openaire   +2 more sources

Pengenalan Tokoh Wayang dalam Cerita Ramayana dengan Menggunakan Media Board Game untuk Masyarakat

open access: yesNirmana, 2017
Indonesia  adalah  negara  yang  memiliki  berbagai  macam  Kebudayaan  dan  Kesenian.  Dari  bermacam kebudayaan dan kesenian yang ada, Indonesia juga memiliki berbagai macam Cerita Rakyat. Contohnya di Pulau Jawa.
D.M Teddy Dwistyawan, T. Arie Setiawan
doaj  

KEHIDUPAN WAYANG GOLEK MENAK KEBUMEN PADA MASA KI SINDHU JOTARYONO (1955-1980)

open access: yesDewa Ruci: Jurnal Pengkajian dan Penciptaan Seni, 2016
An article entitled the life of wayang golèk ménak Kebumen on the age of Ki Sindhu Jotaryono from 1955 to 1980 discussed about the existence of Ki Sindhu Jotaryono in developing and improving the wayang golèk ménak Kebumen play.
Sunarto Sindhu
doaj   +1 more source

WAYANG ORANG KALANGAN ELITE KUNTI NALIBROTO

open access: yesDewa Ruci: Jurnal Pengkajian dan Penciptaan Seni, 2016
The existence of Wayang Orang (a form of traditional Javanese stage show) in Jakarta is characterized by the involvementof the elite community who, as both performers and funders, make it possible for the art of Wayang Orang to continue to existand ...
Dhita Anindya Widyarani
doaj   +1 more source

Wayang Onthel Komunitas Old Bikers Velocipede Old Classic (VOC) Magelang

open access: yesJurnal Kajian Seni, 2016
This article is a study on “Wayang Onthel”, a created by an Old-Bikers community called Velocipede Old Classic (VOC) in Magelang, which utilizes the old bicycle spare parts as the wayang-making materials.
Figur Rahman Fuad
doaj   +1 more source

NYALAP-NYAUR: MODEL TATAKELOLA PERGELARAN WAYANG JEKDONG DALAM HAJATAN TRADISI JAWATIMURAN

open access: yesHumaniora, 2012
Pergelaran Wayang Jekdong di komunitas tradisi Jawatimuran hidup subur dalam kebiasaan penyelenggaraan hajatan. Hajatan dilaksanakan oleh individu, keluarga, kelompok keluarga, lembaga dusun, dan/atau desa.
Wisma Nugraha Christianto Rich
doaj   +1 more source

Estetika Wayang

open access: yesJurnal Budaya Nusantara, 2014
The basics are the puppet aesthetic perspective of the relation elements of beauty in the unity of the structure of the wayang. Understanding the true aesthetic beauty rests on the concept of thought that developed and followed by Western thinkers, however, in the operatate of implemeta- tion still refer to terms that are known in the art of ...
openaire   +2 more sources

Female Puppeteers And Feminine Wayang Characters In The Javanese Wayang Kulit Arts

open access: yesInternational Journal of Progressive Sciences and Technologies, 2023
The evolution of Javanese wayang kulit purwa performance art is intrinsically related to the efforts of its supporting artists. They have an innovative mind that motivates them to continually be inventive and distinctive, which has colored the forms of the story, storyline, characters, puppets, accompaniment, and nearly all of the elements in the ...
openaire   +1 more source

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