Results 21 to 30 of about 198,766 (217)

Итальянские мотивы в поэме Пушкина «Анджело» [Italian Motifs in Pushkin’s Poem _Andzhelo_]

open access: yesSlavica Revalensia, 2021
Pushkin’s poem Andzhelo (1833) is based on the plot of Shakespeare’s Measure for Measure (1623). However, Pushkin changed the location from Vienna to “happy Italy,” and the article offers some explanations of the change. Besides the location and names of
Alexander Dolinin
doaj   +1 more source

Discovering Shakespeare’s Personal Style: Editing and Connoisseurship in the Eighteenth Century [PDF]

open access: yes, 2017
This chapter examines the use of connoisseurial rhetoric by Shakespeare editors and critics over the course of the eighteenth century, beginning with Alexander Pope in 1723–5 and concluding with George Steevens in the 1780s and 1790s. Connoisseurship was
King, Edmund G. C.
core   +1 more source

THE DEVELOPMENT OF L. SHESTOV'S VIEWS ILLUSTRATED BY SHAKESPEARE'S WORKS CRITICISM

open access: yesВестник Российского экономического университета имени Г. В. Плеханова, 2017
The article has a historical and philosophical nature. It provides an analysis of the works of L. Shestov, devoted to the works of William Shakespeare and is written at the intersection of philosophy and literary criticism.
Zoya V. Bezveselnaya
doaj   +1 more source

A Midsummer Night\u27s Dream (1987) [PDF]

open access: yes, 1987
Playwright: William Shakespeare Director: Richard D. Parks Set Design: Donamarie Reeds Costumes: Elizabeth Poindexter Academic Year: 1986-1987https://scholarworks.sjsu.edu/productions_1980s/1036/thumbnail ...
San Jose State University, Theatre Arts
core   +1 more source

‘I, Me, Myself’: Selfhood and Melancholy in the Journals of Gertrude Savile (1697–1758)

open access: yesJournal for Eighteenth-Century Studies, EarlyView.
Abstract This article examines the journals of Gertrude Savile from 1727 in light of recent scholarship on early modern and eighteenth‐century melancholy. The concept had myriad associations with medicine, physiology, the imagination, and feeling, but questions remain about how melancholy during this period was considered by those outside the narrow ...
Daniel Beaumont
wiley   +1 more source

Henry IV, Part I (1982) [PDF]

open access: yes, 1982
Playwright: William Shakespeare Director: Hal J. Todd Set Design: Frederic Youens Costumes: Eliza Chugg Academic Year: 1981-1982https://scholarworks.sjsu.edu/productions_1980s/1047/thumbnail ...
San Jose State University, Theatre Arts
core   +1 more source

Crossroads of the Life of Vittorio Alfieri

open access: yesJournal for Eighteenth-Century Studies, EarlyView.
Abstract This article examines Vittorio Alfieri's Life as a deliberately constructed narrative of cultural, linguistic, and political self‐fashioning within eighteenth‐century European intellectual networks. Rather than treating the autobiography as a transparent record of experience, the article argues that Alfieri retrospectively reorganizes his ...
Sara Gallegati
wiley   +1 more source

A Midsummer Night\u27s Dream Poster [PDF]

open access: yes, 2016
Providence College Department of Theatre, Dance & Film John Bowab Studio Theatre A Midsummer Night\u27s Dream By William Shakespeare April 8-10 & 14-17https://digitalcommons.providence.edu/midsummer_pubs/1000/thumbnail ...
Providence College
core   +1 more source

“Queens of Ghost‐Land” 134 Years Later: Un‐Masking an Appalachian Witchcraft Accuser

open access: yesThe Journal of American Culture, EarlyView.
ABSTRACT In 1891, newspapers across America printed a story about witches in the Appalachian Mountains and the alleged powers they possessed to control their small farming community. The article was scathing in accusation and ultimately contributed to continued othering of the women profiled, increasing their visible vulnerabilities of class, gender ...
Aíne Norris
wiley   +1 more source

William Shakespeare as a Purveyor of Re-Productions: Understanding Shakespeare’s Plays as Profitable Products [PDF]

open access: yes, 2017
This project, “Recasting William Shakespeare in The Business of Playwriting,” works to reinvigorate the value gained by reading Shakespeare by: Beginning with espousing the importance of reading Shakespeare as a practical businessman first, instead of ...
Ong, Giannina
core   +1 more source

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