Results 31 to 40 of about 198,766 (217)
ZAPATISMO: 10 ANOS, APENAS UM COMEÇO
Revista Pegada Eletrônica, 2012 Os homens são donos deseu destino em umcerto momento. Aculpa, querido Bruto,não está em nossas estrelas, senão em nósmesmos”, escreve William Shakespeare emJulio César.
Luis Hernández Navarro
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Towards modernism; transition, treachery and theatricality in William Empson’s readings of Shakespeare [PDF]
Polish Journal of English Studies, 2022 Leading British modernist writers, seeking and constructing mythic models of literary history to authorise their double-acts of critical construction and creative rebellion, had difficulties with Shakespeare. Eliot notoriously valorised, above his plays,
Rowland Cotterill
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Radical dystopia: The comic modernism of George Orwell's Nineteen Eighty‐Four
Orbis Litterarum, EarlyView.Abstract The present essay turns the received view of George Orwell's Nineteen Eighty‐Four on its head, arguing that Orwell's dystopian classic mobilizes the modernist techniques of T. S. Eliot's The Waste Land to lampoon the ideological fatalism of Eliot and other cultural conservatives.
Magnus Ullén
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The Painterly Materiality of Clouds in Antony and Cleopatra and Hamlet
Renaissance Studies, EarlyView.Abstract This article examines the cloud‐gazing scenes in Antony and Cleopatra and Hamlet through the lens of early modern artistic theory and material practices, particularly the art of limning. Building upon existing philosophical and poetic interpretations of Shakespearean clouds as metaphors for ephemerality and memory, the essay argues that the ...
Anne‐Valérie Dulac
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Algo sobre a Europa: Thomas More
Sinais de Cena, 2005 Crítica ao espectáculo Thomas More, de Anthony Munday, Henry Chettle, Thomas Dekker, Thomas Heywood e William Shakespeare, uma produção da Royal Shakespeare Company, apresentada no Swan Theatre, em Stratford-upon-Avon, 2005.
Rui Pina Coelho
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A Shakespearean Spring, Time's Arrow, April 9, 1996 [PDF]
, 1996 This is the concert program of the A Shakespearean Spring performance on Tuesday, April 9, 1996 at 7:00 p.m., at the Tsai Performance Center, 685 Commonwealth Avenue, Boston, Massachusetts.
School of Music, Boston University
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‘There Has Been a Scandal’: Cultural Performers and the Strangers’ Churches of London
Renaissance Studies, EarlyView.ABSTRACT Despite what one might assume to have been a rigid line between London's refugee community—with its strict brand of Protestantism—and the city's performance cultures—often the target of strict Protestants' ire—historical records reveal a number of overlaps between those domains.
Matteo Pangallo
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Macbeth catódico. Representaciones de la tragedia en televisión. Concepción Cascajosa Virino
Comunicación, 2022 El artículo analiza las adaptaciones para la televisión de la obra de William Shakespeare Macbeth. El trabajo se divide en tres partes. La primera se ocupa de las adaptaciones fieles realizadas para televisión, analizando las versiones realizadas para ...
Concepción Cascajosa Virino
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All Roads Lead From Shakespeare [PDF]
, 2001 Sonnet number 60 by William Shakespeare runs as ...
Keith, Michael
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The transportation of embedded inversion in world Englishes
World Englishes, EarlyView.Abstract The present study uses private correspondence to investigate the use of embedded inversion on both sides of the Atlantic as an illustration of the spread of spoken/conversational features through writing. The paper discusses the use of embedded inversion in Irish English (IrE) and briefly compares its occurrence in other varieties of English ...
Carolina P. Amador‐Moreno
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