Results 11 to 20 of about 1,611 (129)
Witkacy na wrocławskich scenach lalkowych
Pamiętnik Teatralny, 2017 Z bogatych dziejów inscenizacji dramatów Stanisława Ignacego Witkiewicza w teatrze lalek (dwadzieścia siedem wystawień po drugiej wojnie światowej) autor prezentuje i skupia się na spektaklach powstałych we Wrocławiu. Pół wieku temu, niemal równocześnie, odbyły się tam dwie pierwsze premiery wykorzystujące lalkowe środki wyrazu: jedną przygotował ...
Karol Suszczyński
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Pamiętnik Teatralny, 2016 Banned in 1949–1955, Witkacy was reclaimed for Polish culture in the process of political change in 1956. His work has the extraordinary capacity to renew meanings and to resonate with what is happening at a given moment, in changing political, social, and artistic contexts.
Janusz Degler
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Przestrzenie Teorii, 2010 The studies on Witkacy’s oeuvre Narcotics (Narkotyki, 1932) exist without any specific status, as if reduced to a research element ancillary to other “more serious” creative areas of its author. The above is especially astonishing since they belong to a specific literary genre which was started with De Quincy’s Confessions of an Opium Eater (1821) and ...
Giovanna Tomassucci
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Witkacy and Conspiracy Theories [PDF]
The Polish Journal of Aesthetics, 2013 In this article the author takes an historical overview of conspiracy theories and how they have been paraded in the work of Witkacy. They have been with us at least since the time of Ancient Rome, connected both with the Christians and Jews. The author argues that they have been used to explain historical events, especially at times of crisis, social ...
Daniel Gerould
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What is still not Known about Witkacy’s Intertextuality? An Analysis of Witkacy and Słowacki [PDF]
The Polish Journal of Aesthetics, 2013 The author addresses the extent to which Witkacy’s work should be seen in relation to Romantic playwright Juliusz Słowacki who began the Artistic Theater in Poland according to Witkacy’s own words. While subsequent creators of Artistic Theatre, especially Stanisław Wyspiański, the author of symbolic national dramas, attracted much attention among ...
Marta A. Skwara
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Traces of improvisation in "Jedyne wyjście" by Witkacy
Acta Universitatis Lodziensis. Folia Litteraria Polonica, 2022 In the article I have analysed the concept of improvisation recorded in Jedyne wyjście by Witkacy. He described the notion as unconstrained variation-based creation flowing from an inspired vision. Witkacy considered vision as the most fundamental source
Tomasz Bocheński
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Pamiętnik Teatralny, 2016 Four notes on Witkacy’s biography. 1. Did Witkacy Intend to Return to the Tropics? On 9 April 1918, Maria Witkiewiczowa, Witkacy’s mother, sent a postcard to her friend, Leon Chwistek’s sister, with an information that Witkacy was planning to return to ...
Janusz Degler
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Rewolucja wewnątrz. Witkacy – Archiwum – Somaestetyzacja
Litteraria Copernicana, 2023 Wojciech Krolek
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Przestrzenie Teorii, 2010 Witkacy’s well-known Pure Form in Theatre Theory constitutes, from the logical point of view, a sequence of paradoxical definitions and surrealistic examples. It is, undoubtedly, a premeditated tactics of the Author.
Jan Gondowicz
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„Matka” Witkacego: Tragedia rodzinna – zagłada człowieczeństwa w człowieku
Pamiętnik Teatralny, 2016 Witkacy’s play The Mother (1924), widely praised for its brilliant inventiveness and shocking avant-gardism, is sometimes considered to be a family drama, or a family tragedy or grotesque.
Lech Sokół
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