Results 51 to 60 of about 1,001 (176)
The studies on Witkacy’s oeuvre Narcotics (Narkotyki, 1932) exist without any specific status, as if reduced to a research element ancillary to other “more serious” creative areas of its author.
Giovanna Tomassucci
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Le « je » en éclats : Witkacy et la fiction de l’identité
Cet article explore la désintégration du sujet dans l’œuvre de Stanisław Ignacy Witkiewicz (Witkacy), à travers une lecture croisée de L’Inassouvissement et Les Narcotiques.
Charles Garatynski
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The paper analyses the category of neo-catastrophism. Postmodern society has launched the mechanisms of self-destruction which are now working not only in interpersonal and communicative relationships, but also in the realms of axiology, ethics and even ...
Agnieszka Smrokowska-Reichmann
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I have to have a mask, a mad mask”. Polemicising with Maria Anna Potocka
Polemicising with Maria A. Potocka’s view, the author reflects on the problem of mask and facial expression in the life and work of S.I. Witkiewicz. They appear here as an expression of philosophy of man, a specific feature of the personality of the ...
Stefan Okołowicz
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Czego nie będziemy wiedzieć o Czystej Formie?
In the article I attempt to specify the uniqueness of the key aesthetics categories. The argument is based on the concept of Pure Form put forward by Stanisław Ignacy Witkiewicz.
Piotr Martin
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Du masque grotesque au selfie filtré : Witkacy précurseur de la fabrique numérique des identités
Cet article examine les pratiques photographiques, performatives et théoriques de Stanisław Ignacy Witkiewicz (Witkacy) à la lumière des formes actuelles de fabrication numérique des identités.
Charles GARATYNSKI
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O przyjaźni: Ingarden – Witkiewicz – Szuman
The main purpose of the article is to present the correspondence between Ingarden and Szuman, which necessarily requires including Witkacy in the discussion as a link between the scholars. The article has been divided into several parts, which cover the pre-war period, the time of war and the post-war era.
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The literary work of Stanisław I. Witkiewicz (Witkacy), whose world career began in the fifties of the last century, is considered today in many aspects as precursory to postmodernism.
Paweł Dybel
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Збогување со магијата во преводот на Виткаци
This article reveals theoretic aspects on literary translation through the analyses of the translation of the novel Farewell to the autumn by Polish writer Stanislaw Ignacy Witkiewicz.
Лидија Танушевска
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