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Wolfgang Amadeus Mozart La flauta mágica
Revista Académica Estesis, 2023 Este ensayo filosófico aborda un análisis especulativo e interdisciplinario sobre la ópera La flauta mágica, de W. A. Mozart, KV 620, estrenada el 30 de septiembre de 1791, en el Theater auf der Wieden, en Viena, Austria.
Francisco Aranda Espinosa
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Современные проблемы музыкознанияThe article considers issues that arise when comparing Wolfgang Amadeus Mozart’s opera La finta giardiniera (Munich, 1775) and the opera of the same name by Pasquale Anfossi (Rome, 1774), which appeared a year before Mozart’s.
Pavel V. Lutsker
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Anthropological ReviewWolfgang Amadeus Mozart (1756–1791) is considered as one of the greatest composers of the Classical Period of music (ca. 1750–1820). Gifted with an unparalleled precocity, which allowed him to play and compose at the highest levels from a very young age,
Cicero Moraes +6 more
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Grenek: Jurnal Seni Musik, 2018 This study aims to analyze, Technique of Singing Diana Damrau oin Opera The Magic Flute Aria Queen Of The Night Works Wolfgang Amadeus Mozart. The purpose of this research is to know Technique of Singing, how to interpret and artistic overall Diana ...
DEDI BENSAMAS LUMBAN GAOL
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“There’s Something Missing Here…”: Milo Rau, Opera, and the Search for the Real (Mozart)
Sound Stage Screen, 2022 Review of La clemenza di Tito, music by Wolfgang Amadeus Mozart, libretto by Caterino Mazzolà. Orchestre de la Suisse Romande conducted by Maxim Emelyanychev. Stage direction by Milo Rau. Live streaming on February 19, 2021, GTG Digital.
Carlo Lanfossi
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Sociología de un genio revisitada: analizando, una vez más, la trayectoria de Mozart
Pensamiento Palabra y Obra, 2020 Este artículo de investigación tiene el objetivo de describir y comprender las condiciones sociales y personales que moldearon la subjetividad de Wolfgang Amadeus Mozart. En dicha búsqueda, el texto entabla un diálogo con el trabajo seminal del sociólogo
Guido Alejo Sciurano
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Mozart y Salieri: entre naturaleza y razón de la creación artística
Anales del Instituto de Investigaciones Estéticas, 2020 El artículo trata sobre la mistificación de la muerte de Wolfgang Amadeus Mozart, y su dramatización en la obra del poeta ruso Alexander Serguéyevich Pushkin titulada: Mozart y Salieri.
Arturo García Gómez, Olga Chkourak
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STYLISTIC FEATURES OF SOUND PRODUCTION IN PIANOFORTE MUSIC OF WOLFGANG AMADEUS MOZART
The Scientific Issues of Ternopil National Pedagogical Volodymyr Hnatiuk University. Specialization: Art Studies, 2023 The article deals with the basic stylistic features of the sound production technique in the interpretation of piano opuses of the brilliant Austrian composer Wolfgang Amadeus Mozart.
Yu.H. Tarchynska, Inna Tarchynska
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Verbalization of the subconcept PRODIGY in the English biographies of Wolfgang Amadeus Mozart
Записки з романо-германської філології, 2017 The article is dedicated to the investigation of the peculiarities of verbalization of the concept GENIUS in the English language and speech, namely its structural part – subconcept PRODIGY.
Л. В. Строченко
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A REVIEW ON WOLFGANG AMADEUS MOZART’S CONCERTO FOR THREE PIANOS
Balkan Müzik ve Sanat Dergisi, 2023 Müzik tarihinin çığır açıcı bestecilerinden biri olarak kabul edilen, eserleriyle müzik tarihi ve eğitimine damga vuran, otuz beş yıllık kısa yaşamında altı yüzden fazla eser besteleyen Wolfgang Amadeus Mozart, olağanüstü doğaçlama yeteneği ve ...
Evrim Turan
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