Results 31 to 40 of about 23,378 (221)
Anuario Musical, 2022 La investigación musicológica ha venido demostrando en los últimos años que la música instrumental centroeuropea tuvo una amplia diseminación en variados contextos españoles durante la transición del siglo XVIII al XIX, como atestigua el caso ...
Héctor Eulogio Santos Conde
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Die Zauberflöte : tradition et reflets
Cahiers d’Études Germaniques, 2017 Several musicologists have revealed the symbolism inherent in the composition of the Zauberflöte (1791). This article instead deciphers the opera’s libretto from the perspective of elements it borrowed from Egyptian culture, as well as its use of copied,
Manuel Durand-Barthez
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Вісник Київського національного університету культури і мистецтв. Серія: Музичне мистецтво, 2018 The article is devoted to the psychological and cognitive problem of “stalled ambitions” on the example of Mozart-son. The research relevance of Franz Xaver Mozart is due to the further study of his activities spheres in Lviv, as well as respond to ...
Adelina Yefimenko
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"Carta a un tal barón von…” de W. A. Mozart sobre el proceso creativo
Anales del Instituto de Investigaciones Estéticas, 2017 El artículo trata sobre la concepción romántica del “genio creador”, mediante el análisis de una carta atribuida a Wolfgang Amadeus Mozart, escrita en 1791.
Arturo García Gómez
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„Taten und Leiden unseres Lichts“. Ernst Blochs Aufsatz „Die Zauberflöte und Symbole von heute“ (1930) im Kontext [PDF]
Conflict & Communication Online, 2021 Zur Frage von Kunst, Bildung und Politik und den aktualisierbaren Dimensionen von Ernst Blochs Œuvre unternimmt der Beitrag eine Lektüre von Blochs wenig beachtetem Text „Die Zauberflöte und Symbole von heute“ (1930).
Werner Michler
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Greater Boston Youth Symphony Orchestras Winter Concert, January 27, 1991 [PDF]
, 1991 This is the concert program of the Greater Boston Youth Symphony Winter Concert performance on Sunday, January 27, 1991 at 4:00 p.m., at the Boston University Concert Hall, 855 Commonwealth Avenue, Boston, Massachusetts.
School of Music, Boston University
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Cognitive Theories of Galant Music at the Margins of Experience
Music Analysis, Volume 44, Issue 3, Page 293-339, October 2025.ABSTRACT Leading cognitive studies of galant music treat schematism as both a device and an ethos. The devices – whether called pre‐fabs, tiles or schemata – undergird a mechanistic and passive ethos of inventiveness. In vision and practice, this constellation of approaches directs inquiry away from a musical depth that one contemplates and towards a ...
Edmund J. Goehring
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Heinrich Wilhelm Haugwitz and the reception of Mozart's operas in early nineteenth-century Moravia
Musicologica Brunensia, 2021 For about a decade in the early nineteenth century, the castle of Count Heinrich Wilhelm Haugwitz in Moravian Náměšť nad Oslavou hosted a large number of musical activities centered on Mozart's operas. These activities are documented in orchestral scores,
Martin Nedbal
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Opera Workshop and Advanced Opera Workshop Scenes Program, Saturday, January 23, 1999 [PDF]
, 1999 This is the concert program of the Opera Workshop and Advanced Opera Workshop Scenes Program performance on Saturday, January 23, 1999 at 8:30 p.m., at the Tsai Performance Center, 685 Commonwealth Avenue, Boston, Massachusetts.
School of Music, Boston University
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Honour and humiliation: Emotional economies of war and defeat
Nations and Nationalism, Volume 31, Issue 4, Page 809-820, October 2025.Abstract The article looks at nationalism, war and defeat from a history of emotions perspective. It frames nationalism as a political programme and mindset that enlists emotions of belonging and solidarity, but also fear, anger, hatred and contempt.
Ute Frevert
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