Results 41 to 50 of about 5,732 (216)
МонголоведениеIntroduction. The article examines the colophon to the Mongolian translation of the major Tibetan monument of Buddhist literature, Mani-kambum, made by the famous Oirat Buddhist figure Zaya Pandita Namkhai Gyatso in 1643–1644.
Delyash N. Muzraeva, Bair L. Tushinov2
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VISUALISASI DOA JALAN SALIB MENGADOPSI GAYA WAYANG BEBER DENGAN TEKNIK SENI GRAFIS CUKIL KAYU
Brikolase, 2020 Research covered titled visualize prayer road crosses by adopting the Wayang Beber style used a woodcut technique of the printmaking is the artistic research (the creation of art) that is carried out based on the art of printing graphic especially a ...
Alexander Nawangseto Mahendrapati
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Introduction: The (Im)material Spectrum of Manuscript and Print Interaction☆
Renaissance Studies, Volume 40, Issue 2, Page 148-165, April 2026.Abstract This introductory essay to the special issue on Early Modern English Textual Cultures Between Manuscript and Print first outlines previous research into different kinds of interaction between manuscript and print. Examples of this interplay include, for instance, the transmission of text and images from one medium into another, the use of ...
Sara Norja, Mari‐Liisa Varila
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Firme di xilografi seicenteschi nelle matrici lignee della Galleria Estense di Modena
Venezia Arti, 2017 Though ancient literary sources has usually revealed a scarce interest for woodcuts, the study of writings and signatures in the woodblocks of the Galleria Estense in Modena proves that woodcutters did not always remain at the borders of art history ...
Travisonni, Chiara
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Jacopo de’ Barbari’s 'View of Venice' (1500): Image Vehicles Past and Present
Mediterranea, 2019 This essay focuses on an iconic and ground-breaking woodcut – Jacopo de’ Barbari (c. 1460/70–1516) and Anton Kolb’s 'View of Venice' (1500) – and an interactive museum installation that I first developed for Duke University’s Nasher Museum of Art.
Kristin Love Huffman
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Renaissance Studies, Volume 40, Issue 2, Page 215-230, April 2026.Abstract The household book is a particular feature of the landscape of manuscript production post‐1475, and is particularly associated with women. Compiling manuscript household books in a post‐print landscape involved a specific kind of dialogue between the two material forms.
Carrie Griffin
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Reader Interaction with Graphic Devices in Early Modern English Printed Books☆
Renaissance Studies, Volume 40, Issue 2, Page 254-273, April 2026.Abstract Research into marginalia or reader annotations has become a well‐established branch of early modern book studies, shedding light on one of the ways in which manuscript and print coexisted and interacted in this period. The present study sets out to discover how readers engaged with printed graphic devices and with texts that contain such ...
Aino Liira
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Woodcut engraving of a sturgeon
, 1920 Black on white woodcut engraving of a sturgeon.From the collection of Gord ...
Daglish, Eric Fitch
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A singular stroke of eloquence: Tristram Shandy’s typography
NJES: Nordic Journal of English studies, 2018 Between 1759 and 1767 Laurence Sterne’s Tristram Shandy presented the reader with four major typographical oddities: two black pages, a hand-marbled coloured leaf, a series of squiggly woodcuts, and a woodcut depicting a flourish. This article describes
Peter de Voogd
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Faithful men and false women: Love‐suicide in early modern English popular print
Gender &History, Volume 38, Issue 1, Page 53-69, March 2026.Abstract This article explores the representation of suicide committed for love in English popular print in the seventeenth and early eighteenth centuries. It shows how, within ballads and pamphlets, suicide resulting from failed courtship was often portrayed as romantic and an expression of devotion.
Imogen Knox
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