Results 71 to 80 of about 62,810 (217)

Virginia Woolf and Victoria Ocampo: The Art of Combining Modernism and Non-Confining Domesticity

Revista de Culturas y Literaturas Comparadas, 2016
For Virginia Woolf and Victoria Ocampo the houses they lived in—apart from being lived spaces or spaces of memory—were the seat of their work projects and established fields of sociability which gathered not only family and friends but also relevant ...
Irene Chikiar Bauer
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The Search for God: Virginia Woolf and Caroline Emelia Stephen

, 2011
As a Modernist follower of radical individualism, Virginia Woolf is thought to be antipathetic to religious thought; Woolf’s own spirituality, however, is certainly more complicated than most critics have allowed, especially in light of the influence of ...
Heininge, Kathleen A.
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To the lighthouse: a unidade da obra-prima na cumplicidade da prosa poética com a pintura e o cinema" To the lighthouse: a unidade da obra-prima na cumplicidade da prosa poética com a pintura e o cinema"

Ilha do Desterro, 2008
Pode-se bem dizer, a respeito da obra de Virginia Woolf, que o caráter difuso que domina a concepção do design de Jacob's Room é substituído, em Mrs. Dalloway, por outro, de natureza centralizadora, regido por urn princípio redutivo, simplificador, que ...
Thereza Maria Lustosa de Castro Faria
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Valuing Humans and Valuing Places: “Integrity” and the Preferred Terminology for Geoethics

Geosciences, 2018
What follows will support the centrality of appeals to the integrity of places as a plausible way of extending the concept of integrity in the light of our actual practices of valuing.
Tony Milligan
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Antropología filosófica y literatura: en torno a las experiencias de los combatientes de la Gran Guerra [PDF]

, 2015
Estudio de la significación antropológica de las experiencias de los combatientes de la Gran Guerra. Análisis de sus vivencias así como de la expresión de esa experiencia traumática en la literatura en concreto de Céline y Virginia ...
Llinares Chover, Joan B.
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The Living Metaphor of Orlando: Duration, Gender, and the Artistic Self [PDF]

, 1995
Virginia Woolf knows from the beginning what Orlando learns in the end: to be an artist is to be a living metaphor-a self which is not static and discrete, but evolving and capable of others, to quote Cixous (Laugh, 345).
Herrman \u2795, Michele L.
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Artistic Creation as a Mystical Transmutation in Virginia Woolf’s To the Lighthouse [PDF]

Annals of Philosophy, Social and Human Disciplines, 2017
This paper deals with the mystical experiences in Virginia Woolf’s artistic creation. Woolf denies any form of modernism that cannot transcend reality. There are moments, where reality is never what it is but a vision — a perspective — whose meaning is ...
Salah BOUREGBI
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Lamento dei libri contro le guerre [PDF]

, 2003
Libri, biblioteche e guerra nelle opere di RICCARDO DA BURY, Philobiblon o l’amore per i libri - VIRGINIA WOOLF, Tra un atto e l’altro - BOHUMIL HRABAL, Una solitudine troppo rumorosa - ALESSANDRA LAVAGNINO, Le bibliotecarie di Alessandria - ÅSNE ...
Morriello, Rossana
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A day’s time: the one-day novel and the temporality of the everyday [PDF]

, 2016
This essay presents an investigation of the one-day-ness of the one-day novel—to ask what the effects of this temporal frame, in literary form, might be.
Randall, Bryony
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Toward an androgynous language

Gragoatá, 2016
Reviewed book: PINHO, Davi. Imagens do feminino na obra e na vida de Virginia Woolf. Curitiba: Appris, 2015.
Patricia Marouvo, Manuel Antônio de Castro   +1 more
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