Results 251 to 260 of about 2,207,666 (309)
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The Possibility of a World Art History
Australian and New Zealand Journal of Art, 2008Parul Dave Mukherjee, Professor of the School of Art, and Aesthetics at Jawaharlal University, New Delhi; Omuka Toshiharu, Professor and Vice-Provost of the Graduate School of Comprehensive Social Sciences at the University of Tsukuba, Tokyo; Patrick Flores, Professor of Art Studies at the University of Phillipines, Quezon City; and Woo Jung-ah of the ...
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Global Foundations for a World Art History
Visual Resources, 2015Art historians have theorized that a world art history would involve a reconsideration of the art historical canon. Although specialists have been added to programs and course offerings have become increasingly diverse, our discipline has yet to grapple with the pedagogical implications of building a world art history from the ground up.
Kristen Chiem, Cynthia S. Colburn
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Whither Art History in a Globalizing World
The Art Bulletin, 2014“Whither Art History?” is a question that, potentially, the discipline, like every other discipline, is capable of raising in a moment of self-critical reflection.
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World History, Liberal Arts, and Global Citizenship
The Journal of General Education, 2012Abstract This article investigates how world history can help recraft the liberal arts to better serve an interconnected, cosmopolitan, and “globalized” world in the twenty-first century. It argues that world history can help students, citizens, and educators transcend real and imagined boundaries to become more empathetic and insightful
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Production versus Destruction: Art, World War I and art history
Art History, 1999Studies on the theme of art and World War I routinely focus on art produced during the conflict; it is suggested in this article that the wartime destruction of art is also worthy of art‐historical attention. Destruction was as much, if not more, of a concern at the time and the damage done to historic monuments in north‐eastern France, along the line ...
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Doing world art history with modern and contemporary Asian art
World Art, 2011Abstract Three approaches to world art history are outlined: top down (transnational); bottom up (national); and interstitial. The constructed category of ‘Modern Asian Art’ relativizes all other modernities, including the Euramerican, and is first of all differentiated by a new corpus of reference works and the criteria for canonizing these.
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Art History in the World of Digital Humanities
2022kunsttexte.de - Journal für Kunst- und Bildgeschichte, Nr.
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Whither Art History in the Non-Western World: Exploring the Other('s) Art Histories
The Art Bulletin, 2015The discipline of art history in the Philippines is a postcolonial American construct, its roots going back to the 1950s.
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