Minik Serçe as a Contrary Example Among the Singer Films in Turkish Cinema [PDF]
CINEJ Cinema Journal, 2022 This article is about the Turkish film Minik Serçe (Little Sparrow, 1978), starring Sezen Aksu, one of Turkey’s most legendary female singer-songwriters.
Yasemin Barlan
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Mapping Yeşilçam: A relational approach to the Turkish film industry [PDF]
CINEJ Cinema Journal, 2021 Turkey’s Yeşilçam film industry produced more than 5500 films during its lifetime of 40 years. The industry had a unique narrative approach shaped around its economic model, Turkey’s ambivalent connection with modernization and the country’s domestic ...
Serkan Savk, Burak Dogu
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Auteur and Style in National Cinema: A Reframing of Metin Erksan's Time To Love [PDF]
CINEJ Cinema Journal, 2014 This essay will hunt down and classify the concept of the national as a discourse in Turkish cinema that has been constructed back in 1965, by the film critics, by filmmakers and finally by today’s theoretical standards.
Murat Akser
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Revisiting History in Yeşilçam Cinema: An Analysis on Yeşilçam Heroes; Karaoğlan, Malkoçoğlu, Kara Murat and Battal Gazi [PDF]
CINEJ Cinema JournalHistory presented in films has always been problematic. This debate is generally categorized into two categories, if the historical movies are loyal to the historical fact or if they should be aesthetically considered an art form.
Sırrı Serhat Serter
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A “Golden Age” Puzzle with Female Audiences of Yeşilçam: Nostalgia, Melodrama and Gender
İnsan & Toplum, 2023 This study focuses on the ways in which the feeling and rhetoric of nostalgia are constructed and made sense of on the basis of the memories of women who went to the movies in the 1960s and 1970s and who watched mostly Yeşilçam melodramas.
Aynülhayat Uybadın
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Film Biterken: 1980 Sonrası Türkiye Sinemasında Yeşilçam'ın Çöküşünün Temsili
Türkiye Film Araştırmaları Dergisi, 2023 Türkiye’de sinemacılığın duraklaması ve gerilemesi, 1970’li yıllardan başlayan uzun bir zaman dilimini kapsamakta; ekonomik, siyasi, sosyo-kültürel pek çok nedene dayanmaktadır.
Dilara Balcı Gülpınar
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Trakya University Journal of Social Sciences, 2023 Netflix entered the Turkish market in 2016. Released in 2019, Hakan: Muhafız series was the first locally produced series released by Netflix. In 2020, Netflix started to broadcast locally produced movies.
Güzide Kayıtmazbatır +1 more
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Lütfi Ömer Akad Sineması’nda Sinematografik Tercihlerin Diyet Filmi Üzerinden Tartışılması
Selçuk İletişim, 2022 Lütfi Ömer Akad Türkiye’de sinema deneyimine dair kurucu isimlerden biridir. Akad sinema yapma pratiğini deneyimleyerek öğrenen bir kuşağa aittir ve filmografisi dikkatle incelendiğinde sinema dili ve anlatım stratejileri üzerine yoğunlaştığı görülür ...
Ayten Başer Yetimoğlu, Serpil Kırel
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Transformation of Comedy with Streaming Services: The Case of Bartu Ben [PDF]
, 2020 Comedy has always been one ofthe most popular genres in Turkish cinema and television series. As the distinction between film and series has begun to blur in the post-television era, narratives are transforming according to the characteristics of the new
Yıldırım, Nisa
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Yilmaz Güney’s The Fields of Yuréghir and Arkadaş: From Despair to Hope [PDF]
, 2021 This article discusses two relatively unknown works of Yilmaz Güney in the English-speaking world: Boynu Bükük Öldüler (They Bowed their Heads in Shame),1 a semi-autobiographical novel, which in 1972 won the Orhan Kémel prize, and Arkadaş (The Friend), a
Carruthers, Stephen
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