Results 1 to 10 of about 445 (73)
Revisiting History in Yeşilçam Cinema: An Analysis on Yeşilçam Heroes; Karaoğlan, Malkoçoğlu, Kara Murat and Battal Gazi [PDF]
History presented in films has always been problematic. This debate is generally categorized into two categories, if the historical movies are loyal to the historical fact or if they should be aesthetically considered an art form.
Sırrı Serhat Serter
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Minik Serçe as a Contrary Example Among the Singer Films in Turkish Cinema [PDF]
This article is about the Turkish film Minik Serçe (Little Sparrow, 1978), starring Sezen Aksu, one of Turkey’s most legendary female singer-songwriters.
Yasemin Barlan
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Mapping Yeşilçam: A relational approach to the Turkish film industry [PDF]
Turkey’s Yeşilçam film industry produced more than 5500 films during its lifetime of 40 years. The industry had a unique narrative approach shaped around its economic model, Turkey’s ambivalent connection with modernization and the country’s domestic ...
Serkan Savk, Burak Dogu
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Auteur and Style in National Cinema: A Reframing of Metin Erksan's Time To Love [PDF]
This essay will hunt down and classify the concept of the national as a discourse in Turkish cinema that has been constructed back in 1965, by the film critics, by filmmakers and finally by today’s theoretical standards.
Murat Akser
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Melodramas are dramatic works of art where the detailed character studies dominate the plot. The dialogues used in melodramas are generally emotional, and the characters are often portrayed in stereotypical forms.
Kemal Çelik
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Yeşilçam melodramatic imagination and its influence on the new Turkish Cinema [PDF]
In Turkey, especially between 1960 and 1975, the popularity and influence of melodramatic cinema grew during dramatic socio-economic changes and hegemonic ideology of modernization project; melodrama tried to create a new morality for this emerging ...
Behice Pehlivan
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A “Golden Age” Puzzle with Female Audiences of Yeşilçam: Nostalgia, Melodrama and Gender
This study focuses on the ways in which the feeling and rhetoric of nostalgia are constructed and made sense of on the basis of the memories of women who went to the movies in the 1960s and 1970s and who watched mostly Yeşilçam melodramas.
Aynülhayat Uybadın
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Film Biterken: 1980 Sonrası Türkiye Sinemasında Yeşilçam'ın Çöküşünün Temsili
Türkiye’de sinemacılığın duraklaması ve gerilemesi, 1970’li yıllardan başlayan uzun bir zaman dilimini kapsamakta; ekonomik, siyasi, sosyo-kültürel pek çok nedene dayanmaktadır.
Dilara Balcı Gülpınar
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Netflix entered the Turkish market in 2016. Released in 2019, Hakan: Muhafız series was the first locally produced series released by Netflix. In 2020, Netflix started to broadcast locally produced movies.
Güzide Kayıtmazbatır +1 more
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Lütfi Ömer Akad Sineması’nda Sinematografik Tercihlerin Diyet Filmi Üzerinden Tartışılması
Lütfi Ömer Akad Türkiye’de sinema deneyimine dair kurucu isimlerden biridir. Akad sinema yapma pratiğini deneyimleyerek öğrenen bir kuşağa aittir ve filmografisi dikkatle incelendiğinde sinema dili ve anlatım stratejileri üzerine yoğunlaştığı görülür ...
Ayten Başer Yetimoğlu, Serpil Kırel
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