Results 1 to 10 of about 14 (14)

Faustian Motives in We: A Novel by Yevgeny Zamyatin

open access: yesPolilog: Studia Neofilologiczne, 2021
The article studies the interpretation of the Faustian theme in the novel “We” by Yevgeny Zamyatin. The conflict between the Apollonian and Dionysian is considered as a mode of the Faustian theme.
Anna Stepanova, Valeriia Kalinichenko
doaj   +1 more source

The final remark about Zamyatin: point or endless dialogue? About L.V. Polyakova’s monograph “Y.I. Zamyatin’s Prose: historiosophical searches of the artist”

open access: yesНеофилология, 2022
The work is a review analysis of the final work of the famous Zamyatinologist. The purpose of the study is to present the role of this monograph in modern literary criticism.
E. V. Boroda
doaj   +1 more source

Unknown movie scripts by Yevgeny Zamyatin [PDF]

open access: yesЛитературный факт, 2019
The publication of four unknown movie scripts by Yevgeny Zamyatin 1934–1936, stored in France: “Bich Bozhii» (revised script of his play “Attila”), “Vladyka Azii” (modified and expanded version of the script “Genghis Khan”), “Ivan Groznyi” and “Princess ...
Alexander Stroev
doaj   +1 more source

Turning Romanticism on its Head: The Peripheral Symbolic Geography of Aldous Huxley and Ira Levin

open access: yesLinguaculture, 2021
Within the present paper, I aim to discuss how Aldous Huxley and Ira Levin have employed the peripheral symbolic geography of their two works (Brave New World and This Perfect Day) to articulate their debate between different sets of social values ...
Niculae Liviu Gheran
doaj   +1 more source

The Story of Stenka Razin and the Persian Princess in Direct and Inverse Projections: Yevgeny Zamyatin and Anna Barkova

open access: yesLiteratūra (Vilnius), 2021
The article considers two cases of the creative reception of the legend about Stenka Razin and the Persian princess in Russian literature of the 1920s – in Yevgeny Zamyatin’s tragedy Atilla (1925–1928) and screenplay Stenka Razin (1932–1933), on the one ...
Veronika Zuseva-Özkan
doaj   +1 more source

The Legend of the Great Inquisitor as the Anti-Utopian pioneering work and the novel "We"

open access: yesمجلة الآداب, 2019
In the research given to the example of the great Inquisitor's legend, the latest novel by the Great Russian writer Fyodor Mikhailovich Dostoevsky, "The Brothers Karamazov" confirms the idea of ​​man's loss of utopian ideas in its own right, and the ...
MOHAMMED FRAYYEH KOBAISH
doaj   +1 more source

Russian emigration literature in Gustaw Herling-Grudziński’s works

open access: yesPolilog: Studia Neofilologiczne, 2015
Russian emigration literature in Gustaw Herling-Grudziński’s works All his adult life Grudziński spent in exile so he perfectly knew the problems connected with this – loneliness, alienation, lack of understanding in others, and above all nostalgia for
Patrycja Spytek
doaj   +1 more source

THE ENTROPY OF THE MAIN CHARACTERS OF THE NOVELS "WE" BY YEVGENY ZAMYATIN AND "THE INVISIBLE MAN" BY HERBERT WELLS

open access: yesSovremennye Issledovaniâ Socialʹnyh Problem, 2017
Purpose. The presented article is the study of the concept of entropy, being a widely spread notion in the fiction, as based on the texts of the novels We by Yevgeny Zamyatin and The Invisible Man by Herbert Wells.
Svetlana Gennadyevna Dolzhenko   +1 more
doaj   +1 more source

Primitivism in We and Brave New World / Biz ve Cesur Yeni Dünya’da İlkelcilik [PDF]

open access: yesFolklor/Edebiyat, 2016
With reference to the conceptual distinctions on the primitivist way of thinking by Arthur O. Lovejoy and George Boas, the aim of this article is to make a comparative analysis of primitivist thought in My (We) of Yevgeny Zamyatin and Brave New World ...
Hakan Çörekçioğlu
doaj  

Gendered Dystopia: Gender Politics in Yevgeny Zamyatin’s We

open access: yesDruštvene i Humanističke Studije, 2017
This paper undertakes to examine the gender politics of Yevgeny Zamyatin’s We (1924), the probable prototype of the modern dystopia, by analyzing how the author adheres to or subverts the characteristics of dystopia specifically in terms of gender ...
Demir Alihodžić
doaj  

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